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Cambridge digitises Virginia Woolf's A Room of One's Own | Cambridge digitises Virginia Woolf's A Room of One's Own |
(1 day later) | |
The manuscript of a "ground-breaking" feminist work has been put online to mark the opening of a Virginia Woolf exhibition. | The manuscript of a "ground-breaking" feminist work has been put online to mark the opening of a Virginia Woolf exhibition. |
The writer based A Room of One's Own on two lectures she gave to women's colleges at Cambridge University. | The writer based A Room of One's Own on two lectures she gave to women's colleges at Cambridge University. |
The city's Fitzwilliam Museum is to put the original manuscript on display, and has also uploaded a digital version. | The city's Fitzwilliam Museum is to put the original manuscript on display, and has also uploaded a digital version. |
Curator Suzanne Reynolds says "it is one of the founding texts of 20th Century feminist thought". | |
The exhibition, which opens on 2 October, celebrates Woolf's writing and showcases the works of more than 80 artists on the themes of female identity, domesticity and landscape. | The exhibition, which opens on 2 October, celebrates Woolf's writing and showcases the works of more than 80 artists on the themes of female identity, domesticity and landscape. |
Her personal possessions, including family letters and a teapot painted by her sister Vanessa Bell, will also be on display. | Her personal possessions, including family letters and a teapot painted by her sister Vanessa Bell, will also be on display. |
Woolf had strong links with Cambridge and her father, brothers and husband all studied at Trinity Hall. | Woolf had strong links with Cambridge and her father, brothers and husband all studied at Trinity Hall. |
In 1928, she delivered two lectures urging female students at Girton and Newnham colleges to establish a "room of one's own", which became the basis of the book. | In 1928, she delivered two lectures urging female students at Girton and Newnham colleges to establish a "room of one's own", which became the basis of the book. |
Dr Reynolds, who is the Fitzwilliam's assistant keeper of manuscripts and printed books, said: "[The book] was absolutely ground-breaking in its examination of the limitations that have been placed on women's lives and their creativity throughout history, and limitations on women's access to education and cultural experiences." | Dr Reynolds, who is the Fitzwilliam's assistant keeper of manuscripts and printed books, said: "[The book] was absolutely ground-breaking in its examination of the limitations that have been placed on women's lives and their creativity throughout history, and limitations on women's access to education and cultural experiences." |
In it, Woolf said a woman needed money and a room of her own if she was to write fiction. | In it, Woolf said a woman needed money and a room of her own if she was to write fiction. |
Dr Reynolds said it included a passage about how two female characters in fiction nearly always talked about the male protagonist, and added "what a radical step it would be if they were talking to each other about each other", pre-dating the Bechdel Test used in films. | Dr Reynolds said it included a passage about how two female characters in fiction nearly always talked about the male protagonist, and added "what a radical step it would be if they were talking to each other about each other", pre-dating the Bechdel Test used in films. |
Cambridge is the third and final stop of the exhibition, which has traced a geographical path of Woolf's life from St Ives in Cornwall to Pallant House in Sussex. | Cambridge is the third and final stop of the exhibition, which has traced a geographical path of Woolf's life from St Ives in Cornwall to Pallant House in Sussex. |