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The bright red work of art (and 40 others) now protected | The bright red work of art (and 40 others) now protected |
(about 11 hours later) | |
They were designed to bring public spaces back to life after World War Two - it was art for everyone. Now dozens of post-war sculptures are being given listed status. | They were designed to bring public spaces back to life after World War Two - it was art for everyone. Now dozens of post-war sculptures are being given listed status. |
The bright red, welded steel structure above - at Milton Keynes in Buckinghamshire - appears to defy gravity and the rules of balance. | |
It was created in 1970 by Bernard Schottlander. He fled Nazi Germany in 1939 for Leeds, where he worked in a factory as a welder while attending evening classes in sculpture. | It was created in 1970 by Bernard Schottlander. He fled Nazi Germany in 1939 for Leeds, where he worked in a factory as a welder while attending evening classes in sculpture. |
Working with Historic England, the government has now given his sculpture added protection. | Working with Historic England, the government has now given his sculpture added protection. |
Scroll down and see the 40 other artworks granted Grade II or Grade II* status across England. | Scroll down and see the 40 other artworks granted Grade II or Grade II* status across England. |
Knife Edge Two Piece by Henry Moore, 1967 | Knife Edge Two Piece by Henry Moore, 1967 |
Westminster, London | Westminster, London |
This piece is typical of the monumental abstract bronze sculptures that characterised the late career of Moore - one of England's most important avant-garde artists. | |
Untitled [Listening] by Antony Gormley, 1983-84 | |
Maygrove Peace Park, north-west London | Maygrove Peace Park, north-west London |
This is one of Gormley's first public sculpture commissions and his first to be listed - as it is now over 30 years old. | This is one of Gormley's first public sculpture commissions and his first to be listed - as it is now over 30 years old. |
It shows a human figure cupping its ear to listen. | It shows a human figure cupping its ear to listen. |
Rooted to a huge granite boulder, it embodies the relationship between the interior world of the human body and its surroundings. | Rooted to a huge granite boulder, it embodies the relationship between the interior world of the human body and its surroundings. |
Revolving Torsion by Naum Gabo, 1975 | Revolving Torsion by Naum Gabo, 1975 |
St Thomas' Hospital, central London | St Thomas' Hospital, central London |
In the garden of St Thomas' Hospital, across the river from the Houses of Parliament, these abstract curved steel plates form a fountain and used to revolve. | In the garden of St Thomas' Hospital, across the river from the Houses of Parliament, these abstract curved steel plates form a fountain and used to revolve. |
South of the River by Bernard Schottlander, 1975-76 | |
Lambeth, south London | Lambeth, south London |
These sweeping curves of stainless steel - south of Waterloo Station - are said to be based on a pair of large, twisted bronze earrings worn by Fulani women in Africa as part of their marriage rituals. | These sweeping curves of stainless steel - south of Waterloo Station - are said to be based on a pair of large, twisted bronze earrings worn by Fulani women in Africa as part of their marriage rituals. |
Father Courage by FE McWilliam, 1960 | Father Courage by FE McWilliam, 1960 |
University of Kent in Canterbury | University of Kent in Canterbury |
3B Series No 1 by Bernard Schottlander, 1968 | 3B Series No 1 by Bernard Schottlander, 1968 |
University of Warwick | University of Warwick |
FE McWilliam's totemic Father Courage embodies themes explored by several sculptors in this period of political and social change. | FE McWilliam's totemic Father Courage embodies themes explored by several sculptors in this period of political and social change. |
Its name refers to the play Mother Courage by Berthold Brecht, which denounced the horrors of war. | |
Schottlander's 3B Series No 1 is a large scale abstract collection of bright red geometric shapes. | Schottlander's 3B Series No 1 is a large scale abstract collection of bright red geometric shapes. |
The university's architects Yorke, Rosenberg and Mardall commissioned art to complement their buildings. Rosenberg felt his "white tile buildings needed colour and visual stimulus". | The university's architects Yorke, Rosenberg and Mardall commissioned art to complement their buildings. Rosenberg felt his "white tile buildings needed colour and visual stimulus". |
Declaration by Phillip King, 1961 | Declaration by Phillip King, 1961 |
Beaumanor Hall, Leicestershire | Beaumanor Hall, Leicestershire |
Phillip King spent a year as an assistant to Henry Moore in the late 1950s. | Phillip King spent a year as an assistant to Henry Moore in the late 1950s. |
He came to prominence in the 1960s as a member of the group of young British sculptors known as the New Generation. | He came to prominence in the 1960s as a member of the group of young British sculptors known as the New Generation. |
Winston Churchill Statue by David McFall, 1958-59 | |
Woodford, east London | Woodford, east London |
This bronze sculpture - depicting the UK's wartime prime minister in his later years - can be found in the old Woodford constituency which Churchill served as MP from 1945 until 1964. | This bronze sculpture - depicting the UK's wartime prime minister in his later years - can be found in the old Woodford constituency which Churchill served as MP from 1945 until 1964. |
Churchill attended the unveiling and reportedly liked McFall's creation. | |
Relief of Boys Playing Football by Peter Laszlo Peri, 1951-52 | |
Following the Leader by Peter Laszlo Peri, 1949 | Following the Leader by Peter Laszlo Peri, 1949 |
Relief of Mother and Children Playing by Peter Laszlo Peri, 1951-52 | |
Vauxhall, south London | Vauxhall, south London |
Hungarian Peri was largely ignored by the 20th Century British art establishment, which some have attributed to his communist leanings. | |
These three works were commissioned in the austerity years after WW2 on a social housing estate, with Following the Leader created as a poignant dedication to children who lost their lives in the Blitz. | |
The Miner by Arthur Fleischmann, 1964 | The Miner by Arthur Fleischmann, 1964 |
St Helens, Merseyside | St Helens, Merseyside |
Construction in Aluminium by Kenneth Martin, 1967 | Construction in Aluminium by Kenneth Martin, 1967 |
University of Cambridge | University of Cambridge |
Fleischmann's miner incorporates a cutting drum - a genuine piece of mining machinery - and celebrates the technical advances in mining and the strength of man. | |
Originally commissioned by the National Coal Board for its north-west headquarters, it now stands near to the closed Ravenhead Colliery. | |
On the right, Martin's creation is the monumental culmination of his Oscillation series, inspired by the physics of pendulums combined with jazz and other music rhythms. | |
This particular piece is the visual representation of the mathematical formula of jet propulsion, and was made in the workshop of the University of Cambridge's engineering department. | This particular piece is the visual representation of the mathematical formula of jet propulsion, and was made in the workshop of the University of Cambridge's engineering department. |
A Celebration of Engineering Sciences by Allen Johnson, 1963 | A Celebration of Engineering Sciences by Allen Johnson, 1963 |
University of Leeds | University of Leeds |
The crowning glory of the Mechanical Engineering Building at the University of Leeds, the dynamic shapes symbolise the struggle between man and machine. | The crowning glory of the Mechanical Engineering Building at the University of Leeds, the dynamic shapes symbolise the struggle between man and machine. |
It is made from lightweight glass fibre-reinforced polyester (GFRP) shaped from handmade clay moulds. | |
The Story of Wool by William Mitchell, 1968 | The Story of Wool by William Mitchell, 1968 |
Ilkley, West Yorkshire | Ilkley, West Yorkshire |
Made from glass-reinforced plastic, this is a stylised flock of sheep complete with careful detailing of their curled horns, cloven hooves and thick fleeces. | Made from glass-reinforced plastic, this is a stylised flock of sheep complete with careful detailing of their curled horns, cloven hooves and thick fleeces. |
It was commissioned for the new Technical Centre of the International Wool Secretariat, an organisation established to promote the use and trade of wool in response to the increased use of synthetic fibres in the mid 20th Century. | It was commissioned for the new Technical Centre of the International Wool Secretariat, an organisation established to promote the use and trade of wool in response to the increased use of synthetic fibres in the mid 20th Century. |
The Symbol of Discovery by John Skelton, 1963 | The Symbol of Discovery by John Skelton, 1963 |
Chichester, West Sussex | Chichester, West Sussex |
A pair of large, rough-hewn hands emerge from cobbled ground clasping a precious golden stone. | A pair of large, rough-hewn hands emerge from cobbled ground clasping a precious golden stone. |
The piece was designed as part of a restoration project that transformed nearby redundant buildings into a museum. | |
The Leaning Woman by Karel Vogel, 1959 | The Leaning Woman by Karel Vogel, 1959 |
Hammersmith, west London | Hammersmith, west London |
The Preacher by Peter Laszlo Peri, 1961 | The Preacher by Peter Laszlo Peri, 1961 |
Forest Gate, east London | Forest Gate, east London |
Both these examples appear gravity-defying. | Both these examples appear gravity-defying. |
Vogel's Leaning Woman is tilted and twisted into an intriguing arrangement of parts, so it can be viewed from several sides. | Vogel's Leaning Woman is tilted and twisted into an intriguing arrangement of parts, so it can be viewed from several sides. |
Peri's Preacher - a striking, long-limbed figure grasping a prayer book - is made up of a dark, textured mix of concrete, resin and metallic powders developed by Peri and dubbed Pericrete. | |
Lesson by Franta Belsky, 1956-57 | |
Bethnal Green, east London | Bethnal Green, east London |
Gorilla by David Wynne, 1962 | Gorilla by David Wynne, 1962 |
Crystal Palace Park, south London | Crystal Palace Park, south London |
Family groups were a popular theme for public space artworks in post-war Britain, and it was a sketch of his friend teaching her adventurous baby son to walk that inspired Czech-born artist Belsky. | Family groups were a popular theme for public space artworks in post-war Britain, and it was a sketch of his friend teaching her adventurous baby son to walk that inspired Czech-born artist Belsky. |
Wynne's hulking marble sculpture depicts Guy the Gorilla, a popular resident at London Zoo and something of a national treasure from the 1950s through to his death in 1978. | Wynne's hulking marble sculpture depicts Guy the Gorilla, a popular resident at London Zoo and something of a national treasure from the 1950s through to his death in 1978. |
Rosewall (Curved Reclining Form) by Barbara Hepworth, 1960-62 | |
Chesterfield, Derbyshire | Chesterfield, Derbyshire |
This was named after a hill in Cornwall which is surrounded by ancient stones worn by the weather. | This was named after a hill in Cornwall which is surrounded by ancient stones worn by the weather. |
"The stone is myself," Hepworth said, "looking out to the Atlantic with the sound and smell of the sea." | |
Winged Figure by Barbara Hepworth, 1963 | Winged Figure by Barbara Hepworth, 1963 |
Oxford Street, central London | Oxford Street, central London |
Single Form (Memorial) by Barbara Hepworth, 1961-62 | |
Battersea Park, south London | Battersea Park, south London |
Hepworth's Winged Figure is an Oxford Street landmark. | Hepworth's Winged Figure is an Oxford Street landmark. |
Unusually, it is in the same position and context for which it was originally intended as a commission - for the John Lewis department store. | Unusually, it is in the same position and context for which it was originally intended as a commission - for the John Lewis department store. |
Single Form was Hepworth's personal response to the death of her friend, the UN Secretary-General Dag Hammarskjold - who was killed in a plane crash while on a peace mission. | Single Form was Hepworth's personal response to the death of her friend, the UN Secretary-General Dag Hammarskjold - who was killed in a plane crash while on a peace mission. |
It was the model for a much larger version outside the United Nations Secretariat building in New York. | It was the model for a much larger version outside the United Nations Secretariat building in New York. |
Zemran by William Pye, 1971 | Zemran by William Pye, 1971 |
South Bank, central London | South Bank, central London |
London Pride by Frank Dobson, 1951 | London Pride by Frank Dobson, 1951 |
South Bank, central London | South Bank, central London |
Zemran is part of Pye's series of geometric sculptures made in tubular stainless steel. | |
Dobson's London Pride - two serene, voluptuous female figures - was commissioned for the Festival of Britain in 1951. | Dobson's London Pride - two serene, voluptuous female figures - was commissioned for the Festival of Britain in 1951. |
Originally made of plaster and finished in gun metal - which reflected post-war austerity - it was recast in 1986 in bronze at the behest of Dobson's widow. | |
Horse and Rider by Elisabeth Frink, 1975 | Horse and Rider by Elisabeth Frink, 1975 |
Piccadilly, central London | Piccadilly, central London |
Figurative sculptures of animals dominated Frink's work, and this man and horse is now found surrounded by coffee shop tables, opposite The Ritz. | Figurative sculptures of animals dominated Frink's work, and this man and horse is now found surrounded by coffee shop tables, opposite The Ritz. |
Donkey by Willi Soukop, 1955 | Donkey by Willi Soukop, 1955 |
Harlow, Essex | Harlow, Essex |
This little donkey stands at the heart of a housing scheme in Harlow - one of the post-war new towns. | This little donkey stands at the heart of a housing scheme in Harlow - one of the post-war new towns. |
It was created to encourage children to explore art through play - the donkey's back has been worn to a shine. | |
Help! by FE McWilliam, 1976 | Help! by FE McWilliam, 1976 |
Portrait of Elisabeth Frink by FE McWilliam, 1956 | Portrait of Elisabeth Frink by FE McWilliam, 1956 |
Wild Boar by Elisabeth Frink, 1970 | Wild Boar by Elisabeth Frink, 1970 |
Harlow, Essex | Harlow, Essex |
The left-side image depicts two women caught in a bomb blast, holding a banner with the word "HELP". | |
McWilliam was Northern Irish and he created Help! in response to the Troubles there - with particular reference to the bombing of a Belfast tea room in March 1972. | McWilliam was Northern Irish and he created Help! in response to the Troubles there - with particular reference to the bombing of a Belfast tea room in March 1972. |
When Elisabeth Frink was asked why FE McWilliam's life-size bronze portrait of her carried no inscription, she remarked "one can't be labelled until one is dead". | When Elisabeth Frink was asked why FE McWilliam's life-size bronze portrait of her carried no inscription, she remarked "one can't be labelled until one is dead". |
Frink's own Wild Boar sculpture was one of her first major public commissions for the pioneering Harlow Art Trust. | Frink's own Wild Boar sculpture was one of her first major public commissions for the pioneering Harlow Art Trust. |
Sigmund Freud Statue by Oscar Nemon, 1970 | Sigmund Freud Statue by Oscar Nemon, 1970 |
Hampstead, north London | Hampstead, north London |
Statue of Artist Augustus John by Ivor Robert-Jones, 1964-67 | Statue of Artist Augustus John by Ivor Robert-Jones, 1964-67 |
Fordingbridge, Hampshire | Fordingbridge, Hampshire |
Created by Croatian-born artist Oscar Nemon, the bronze sculpture of the founder of psychoanalysis is a public memorial to him and his residence in this part of north London. | Created by Croatian-born artist Oscar Nemon, the bronze sculpture of the founder of psychoanalysis is a public memorial to him and his residence in this part of north London. |
On the right, the portrayal of the eminent artist Augustus John sits on the banks of the River Avon in Fordingbridge - where he lived for the latter part of his life. | On the right, the portrayal of the eminent artist Augustus John sits on the banks of the River Avon in Fordingbridge - where he lived for the latter part of his life. |
Ritual by Antanas Brazdys, 1968-69 | Ritual by Antanas Brazdys, 1968-69 |
City of London | City of London |
Ventilation Shaft Cover by Eduardo Paolozzi, 1982 | Ventilation Shaft Cover by Eduardo Paolozzi, 1982 |
Pimlico, central London | Pimlico, central London |
Brazdys' seemingly gravity-defying set of weighty, stainless steel forms appear effortlessly balanced on top of each other. | Brazdys' seemingly gravity-defying set of weighty, stainless steel forms appear effortlessly balanced on top of each other. |
It was one of the first abstract works of public sculpture in the City of London. | It was one of the first abstract works of public sculpture in the City of London. |
Paolozzi's interest in machines and technology influenced his work, and this cast metal sculpture covers a London Underground ventilation shaft. | Paolozzi's interest in machines and technology influenced his work, and this cast metal sculpture covers a London Underground ventilation shaft. |
The Spirit of Electricity by Geoffrey Clarke, 1961 | The Spirit of Electricity by Geoffrey Clarke, 1961 |
Westminster, central London | Westminster, central London |
This sharp, dynamic sculpture cast in bronze originally lit up. | This sharp, dynamic sculpture cast in bronze originally lit up. |
Commissioned by Thorn Electrical Industries for their headquarters in London, it is said Clarke came up with the design after studying old light bulb filaments. | Commissioned by Thorn Electrical Industries for their headquarters in London, it is said Clarke came up with the design after studying old light bulb filaments. |
Witch of Agnesi by FE McWilliam, 1959 | Witch of Agnesi by FE McWilliam, 1959 |
University of Greenwich, south-east London | University of Greenwich, south-east London |
St Thomas a Becket by Edward Bainbridge Copnall, 1973 | St Thomas a Becket by Edward Bainbridge Copnall, 1973 |
St Paul's Cathedral , City of London | St Paul's Cathedral , City of London |
Witch of Agnesi hovers like an apparition above a still pool of water, where its varied forms are reflected and distorted. | Witch of Agnesi hovers like an apparition above a still pool of water, where its varied forms are reflected and distorted. |
The title refers to a mathematical curve defined by Maria Agnesi, an 18th Century Italian Mathematician. | The title refers to a mathematical curve defined by Maria Agnesi, an 18th Century Italian Mathematician. |
Bainbridge Copnall's work depicts Thomas Becket at the moment of his murder inside Canterbury Cathedral. | Bainbridge Copnall's work depicts Thomas Becket at the moment of his murder inside Canterbury Cathedral. |
It was created to mark the 800th anniversary of his martyrdom. | It was created to mark the 800th anniversary of his martyrdom. |
Pan Statue by Jacob Epstein, 1958-59 | |
Knightsbridge, London | Knightsbridge, London |
Also known as Rush of Green, this work depicts a family and their dog rushing eagerly towards Hyde Park. | Also known as Rush of Green, this work depicts a family and their dog rushing eagerly towards Hyde Park. |
They are urged on by Pan - the Greek god of the wild, shepherds and flocks. | |
Eagle Squadrons Memorial by Elisabeth Frink, 1985 | Eagle Squadrons Memorial by Elisabeth Frink, 1985 |
Mayfair, central London | Mayfair, central London |
Atop an obelisk in Grosvenor Square Gardens sits an American Eagle. | |
It commemorates 244 US citizens - plus 16 British fighter pilots and other personnel - who served in three RAF Eagle Squadrons prior to the participation of the US in WW2. | |
Prisoner of War Memorial by Fred Kormis, 1967-69 | Prisoner of War Memorial by Fred Kormis, 1967-69 |
Dollis Hill, north London | Dollis Hill, north London |
Kormis explored the themes of freedom and captivity. Here, he created five male prisoners, each in a different stage of emotional turmoil. | Kormis explored the themes of freedom and captivity. Here, he created five male prisoners, each in a different stage of emotional turmoil. |
German-born Kormis was himself a prisoner-of-war during World War One. He and his wife fled to the UK when Hitler came to power in the 1930s, | |
All images subject to copyright. | All images subject to copyright. |
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