This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at http://www.theguardian.com/uk-news/2016/feb/02/bradford-photography-collection-move-vanda-reviled-vandalism
The article has changed 7 times. There is an RSS feed of changes available.
| Version 0 | Version 1 |
|---|---|
| Bradford photography collection move to V&A reviled as 'vandalism' | Bradford photography collection move to V&A reviled as 'vandalism' |
| (35 minutes later) | |
| The decision to move a world-famous photography collection in Bradford to the Victoria and Albert Museum in London has been condemned as “an appalling act of cultural vandalism”. | |
| The move will see 400,000 objects from the Royal Photographic Society collection at Bradford’s National Media Museum transferred to London to create an “international photography resource centre”. | |
| The decision, lauded by both museums, has infuriated local politicians and art enthusiasts who described it as a paring down of Bradford’s resources “by stealth” and a step towards closing the National Media Museum. | |
| Related: Why must a Bradford museum lose its treasures to London? | Sam Jordison | Related: Why must a Bradford museum lose its treasures to London? | Sam Jordison |
| Simon Cooke, the leader of the Conservatives on Bradford council, described the move as an “act of cultural rape on my city” and called for the deal to be reviewed. | Simon Cooke, the leader of the Conservatives on Bradford council, described the move as an “act of cultural rape on my city” and called for the deal to be reviewed. |
| He said: “I know London is a big, grand and fantastic city but to denude my city of these photographs reminds us that you – all the V&A’s trustees are based in London, many will never have visited Bradford – care not one jot for our heritage and history. | He said: “I know London is a big, grand and fantastic city but to denude my city of these photographs reminds us that you – all the V&A’s trustees are based in London, many will never have visited Bradford – care not one jot for our heritage and history. |
| “I know you are incredibly excited by all this but, trust me, you could – had you had the guts and vision – have based this new resource centre in the north, in Bradford, where they would have been loved and cherished in a way you in London can never understand. We don’t have much up here and it fills me with a kind of sad rage that you felt able to visit this act of cultural rape on my city. | “I know you are incredibly excited by all this but, trust me, you could – had you had the guts and vision – have based this new resource centre in the north, in Bradford, where they would have been loved and cherished in a way you in London can never understand. We don’t have much up here and it fills me with a kind of sad rage that you felt able to visit this act of cultural rape on my city. |
| “I don’t expect anything to happen. You’ll make some sort of gesture, will utter a few banal platitudes and punch the air because all the collection is where you and your pals can pop round, can show off to visiting dignitaries. A plague on you and your metropolitan cultural fascism.” | “I don’t expect anything to happen. You’ll make some sort of gesture, will utter a few banal platitudes and punch the air because all the collection is where you and your pals can pop round, can show off to visiting dignitaries. A plague on you and your metropolitan cultural fascism.” |
| The collection, dating from 1827 to 2016, has been based in Bradford’s National Media Museum since 2003. | The collection, dating from 1827 to 2016, has been based in Bradford’s National Media Museum since 2003. |
| Among the treasures moving to the V&A are works by the British photography pioneers William Henry Fox Talbot, who invented the negative/positive process for producing photographs, and Julia Margaret Cameron, known for her pre-Raphaelite-inspired portrait photography. | |
| In a statement announcing the move, the Royal Photographic Society said it had serious reservations about moving the collection from a single national museum dedicated to the history of photography. | |
| It said that while the move would prove beneficial in “opening up access to the RPS collection” the society “is concerned that the absence of a single institution with the curatorial expertise to collect and interpret all aspects of photography beyond its art will lead to a selective and narrow appreciation of photography that existed before the formation of the National Media Museum in 1983 when the V&A and Science Museum worked independently”. | It said that while the move would prove beneficial in “opening up access to the RPS collection” the society “is concerned that the absence of a single institution with the curatorial expertise to collect and interpret all aspects of photography beyond its art will lead to a selective and narrow appreciation of photography that existed before the formation of the National Media Museum in 1983 when the V&A and Science Museum worked independently”. |
| Michael Pritchard, the director general of the Royal Photographic Society, said the move was disappointing but that there were serious practical considerations behind the decision. He said it would increase the collection’s accessibility “in both a geographical sense and through the resources that the V&A is able to bring ensure public and research access”. | Michael Pritchard, the director general of the Royal Photographic Society, said the move was disappointing but that there were serious practical considerations behind the decision. He said it would increase the collection’s accessibility “in both a geographical sense and through the resources that the V&A is able to bring ensure public and research access”. |
| Pritchard added: “The media museum has suffered declining staff and funding cuts over recent years which has impacted on public access to the collection, despite the very best efforts of the curatorial staff.” | Pritchard added: “The media museum has suffered declining staff and funding cuts over recent years which has impacted on public access to the collection, despite the very best efforts of the curatorial staff.” |
| Imran Hussein, the Labour MP for Bradford East, said the move smacked of “absolute metropolitanism” and that he would be writing to the culture minister to demand an explanation. | Imran Hussein, the Labour MP for Bradford East, said the move smacked of “absolute metropolitanism” and that he would be writing to the culture minister to demand an explanation. |
| “It’s a real blow to Bradford,” he said. “We have just spent the last few years progressing in the right direction and now this. It’s going to have a major impact ... culturally and on education, because there’s children who will not get to see this collection.” | “It’s a real blow to Bradford,” he said. “We have just spent the last few years progressing in the right direction and now this. It’s going to have a major impact ... culturally and on education, because there’s children who will not get to see this collection.” |
| The decision is “in direct contravention” to the government’s northern powerhouse rhetoric, he said, and had been made without the consultation of local MPs. “What are the reasons? Is it because it’s easier for various people to visit it in London? Is Bradford not good enough? It will mean that many people will not now come to Bradford.” | |
| The move has reignited fears over the long-term future of the National Media Museum, which sailed perilously close to closure in 2013. | The move has reignited fears over the long-term future of the National Media Museum, which sailed perilously close to closure in 2013. |
| Judith Cummins, the Bradford South MP, said: “It was just over three months ago that I received assurances from the government about keeping the museum here in Bradford and, importantly, keeping the entry free. | Judith Cummins, the Bradford South MP, said: “It was just over three months ago that I received assurances from the government about keeping the museum here in Bradford and, importantly, keeping the entry free. |
| “Visitor numbers have been rising, so to learn an important collection – which is 10% of the collection as a whole – is to be shipped off to London starts alarm bells ringing.” | “Visitor numbers have been rising, so to learn an important collection – which is 10% of the collection as a whole – is to be shipped off to London starts alarm bells ringing.” |
| Colin Ford, the first director of the museum, added: “This looks as if it may be a step towards closing the museum. This doesn’t jive in any way with the government’s avowed intention to create a ‘northern powerhouse’. Quite the opposite. What we’ve found is that metropolitanism is triumphing again.” | Colin Ford, the first director of the museum, added: “This looks as if it may be a step towards closing the museum. This doesn’t jive in any way with the government’s avowed intention to create a ‘northern powerhouse’. Quite the opposite. What we’ve found is that metropolitanism is triumphing again.” |
| In 2013, the National Media Museum was said to contribute more than £24m a year to the Bradford economy in purchases made by museum visitors in local cafes and shops across the city. It provides about 100 jobs that add an extra £3.7m to the city’s economy. | In 2013, the National Media Museum was said to contribute more than £24m a year to the Bradford economy in purchases made by museum visitors in local cafes and shops across the city. It provides about 100 jobs that add an extra £3.7m to the city’s economy. |
| Jo Quinton-Tulloch, director of the National Media Museum, said the move would sharpen the museum’s focus on science and technology and add value to Bradford. The museum’s new focus is to be heralded by a new £1.5m interactive light and sound gallery, due to open in March 2017. | Jo Quinton-Tulloch, director of the National Media Museum, said the move would sharpen the museum’s focus on science and technology and add value to Bradford. The museum’s new focus is to be heralded by a new £1.5m interactive light and sound gallery, due to open in March 2017. |