This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.

You can find the current article at its original source at http://www.theguardian.com/film/2016/feb/19/coming-to-a-cinema-eight-hour-film-lunch-break-philippines

The article has changed 2 times. There is an RSS feed of changes available.

Version 0 Version 1
Berlin film festival: director defends eight-hour movie that features hour-long lunch break Berlin film festival: director defends eight-hour movie that features hour-long lunch break
(7 months later)
Filipino director Lav Diaz says movies should not be judged by their length, so he gave the Berlin film festival a historical drama about the Philippines that runs more than eight hours.Filipino director Lav Diaz says movies should not be judged by their length, so he gave the Berlin film festival a historical drama about the Philippines that runs more than eight hours.
Hele Sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery) was shown in competition for the festival’s top Golden Bear prize in a screening that started at 9.30am and ended shortly before 7pm, with a one-hour lunch break.Hele Sa Hiwagang Hapis (A Lullaby to the Sorrowful Mystery) was shown in competition for the festival’s top Golden Bear prize in a screening that started at 9.30am and ended shortly before 7pm, with a one-hour lunch break.
Related: Colin Firth at the Berlin film festival: 'If someone wants me to wear a mankini in a film, I will'
The film is similar to the duration of some other past festival favourites, such as Hungarian director Bela Tarr, whose Satantango clocks in at about seven hours.The film is similar to the duration of some other past festival favourites, such as Hungarian director Bela Tarr, whose Satantango clocks in at about seven hours.
But at a post-screening news conference Diaz rejected being labelled as a creator of “slow cinema”.But at a post-screening news conference Diaz rejected being labelled as a creator of “slow cinema”.
“We’re labeled ‘the slow cinema’ but it’s not slow cinema, it’s cinema,” he said. “I don’t know why ... every time we discourse on cinema we always focus on the length.“We’re labeled ‘the slow cinema’ but it’s not slow cinema, it’s cinema,” he said. “I don’t know why ... every time we discourse on cinema we always focus on the length.
“It’s cinema, it’s just like poetry, just like music, just like painting where it’s free, whether it’s a small canvas or it’s a big canvas, it’s the same ... So cinema shouldn’t be imposed on.”“It’s cinema, it’s just like poetry, just like music, just like painting where it’s free, whether it’s a small canvas or it’s a big canvas, it’s the same ... So cinema shouldn’t be imposed on.”
Diaz’s movie is set in the late 19th century at the period of the Philippine revolution against Spanish rule and focuses on the influence of Andres Bonifacio y de Castro, considered to be one of the main motivators of the uprising.Diaz’s movie is set in the late 19th century at the period of the Philippine revolution against Spanish rule and focuses on the influence of Andres Bonifacio y de Castro, considered to be one of the main motivators of the uprising.
Related: 'Slow cinema' fights back against Bourne's supremacy
The film follows the lives of several groups of people, including Castro’s wife who is searching for his body on a mountain that is inhabited by people from the spirit world.The film follows the lives of several groups of people, including Castro’s wife who is searching for his body on a mountain that is inhabited by people from the spirit world.
It also follows the lives of several young men who get caught up in the revolution, including the poet Isagani (John Lloyd Cruz), who is so overwhelmed by the bloodshed that he loses faith in his ability to write poems.It also follows the lives of several young men who get caught up in the revolution, including the poet Isagani (John Lloyd Cruz), who is so overwhelmed by the bloodshed that he loses faith in his ability to write poems.
Producer Bianca Balbuena praised the Berlinale for allowing the film to be shown in competition for the main prize despite its length.Producer Bianca Balbuena praised the Berlinale for allowing the film to be shown in competition for the main prize despite its length.
“The Berlinale gave us the freedom, they didn’t ask us to cut down the length of the film,” she said, adding: “Thank you, Berlin.”“The Berlinale gave us the freedom, they didn’t ask us to cut down the length of the film,” she said, adding: “Thank you, Berlin.”
The film is among 19 competing for the top Golden Bear prize to be awarded on Saturday.The film is among 19 competing for the top Golden Bear prize to be awarded on Saturday.