This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.
You can find the current article at its original source at https://www.theguardian.com/culture/2017/jul/02/arts-funding-still-favours-the-established-players
The article has changed 5 times. There is an RSS feed of changes available.
Version 3 | Version 4 |
---|---|
Arts funding still favours the established players | Arts funding still favours the established players |
(13 days later) | |
Your report on the outcome of the Arts Council’s national portfolio funding round for 2018-2022 (Arts Council to spend £170m more outside London;, 28 June) says that “It was a particularly good day for organisations applying for the first time”. In fact it was a very much better day for organisations already within the portfolio – 96% of which were successful compared with just 37% of new applicants (or 30% if museums and libraries included for the first time in the general portfolio are discounted). | Your report on the outcome of the Arts Council’s national portfolio funding round for 2018-2022 (Arts Council to spend £170m more outside London;, 28 June) says that “It was a particularly good day for organisations applying for the first time”. In fact it was a very much better day for organisations already within the portfolio – 96% of which were successful compared with just 37% of new applicants (or 30% if museums and libraries included for the first time in the general portfolio are discounted). |
Launching the portfolio, Nicholas Serota said that the Arts Council was looking to support “green shoots” and greater “diversity”. He and his board are perhaps overly self-congratulatory about an outcome that sees a portfolio intended to “disrupt” and “challenge” lose only 24 out of nearly 700 previous awardees and where a third of the new entrants are from the museum sector.Melanie NockInternational Arts Partnership | Launching the portfolio, Nicholas Serota said that the Arts Council was looking to support “green shoots” and greater “diversity”. He and his board are perhaps overly self-congratulatory about an outcome that sees a portfolio intended to “disrupt” and “challenge” lose only 24 out of nearly 700 previous awardees and where a third of the new entrants are from the museum sector.Melanie NockInternational Arts Partnership |
• Join the debate – email guardian.letters@theguardian.com | • Join the debate – email guardian.letters@theguardian.com |
• Read more Guardian letters – click here to visit gu.com/letters | • Read more Guardian letters – click here to visit gu.com/letters |
Culture | Culture |
Arts Council England | Arts Council England |
Nicholas Serota | Nicholas Serota |
Museums | Museums |
Libraries | Libraries |
letters | letters |
Share on Facebook | Share on Facebook |
Share on Twitter | Share on Twitter |
Share via Email | Share via Email |
Share on LinkedIn | Share on LinkedIn |
Share on Pinterest | Share on Pinterest |
Share on Google+ | Share on Google+ |
Share on WhatsApp | Share on WhatsApp |
Share on Messenger | Share on Messenger |
Reuse this content | Reuse this content |