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| Film investors’ fear of the Bard is burying my Richard II, says James Ivory | Film investors’ fear of the Bard is burying my Richard II, says James Ivory |
| (6 months later) | |
| Dalya Alberge | |
| Sat 12 Aug 2017 23.36 BST | |
| Last modified on Sat 2 Dec 2017 02.51 GMT | |
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| He directed Merchant-Ivory classics such as The Remains of the Day, Howards End and A Room with a View, but American director James Ivory is struggling to interest investors in his latest project. The problem, it seems, lies with his writer: William Shakespeare. For more than five years, Ivory has tried in vain to raise money for a cinema adaptation of Richard II. | He directed Merchant-Ivory classics such as The Remains of the Day, Howards End and A Room with a View, but American director James Ivory is struggling to interest investors in his latest project. The problem, it seems, lies with his writer: William Shakespeare. For more than five years, Ivory has tried in vain to raise money for a cinema adaptation of Richard II. |
| Despite 50 years of critical acclaim and Oscar recognition, plus British actors Tom Hiddleston and Damian Lewis lined up to star in his production, financiers are refusing to part with their money. “They look at you like you’re crazy,” he said. “There is an assumption that there is no money to be made from such an investment.” | Despite 50 years of critical acclaim and Oscar recognition, plus British actors Tom Hiddleston and Damian Lewis lined up to star in his production, financiers are refusing to part with their money. “They look at you like you’re crazy,” he said. “There is an assumption that there is no money to be made from such an investment.” |
| This is despite the proliferation of royal dramas on our small screens in the past couple of years, from Wolf Hall to Victoria, to more modern versions of the British monarchy such as The Crown and an imagined future in King Charles III. Even the frenzy around Richard III since the discovery of his skeleton in Leicester five years ago has failed to ignite enthusiasm for the other Richard, it seems. | This is despite the proliferation of royal dramas on our small screens in the past couple of years, from Wolf Hall to Victoria, to more modern versions of the British monarchy such as The Crown and an imagined future in King Charles III. Even the frenzy around Richard III since the discovery of his skeleton in Leicester five years ago has failed to ignite enthusiasm for the other Richard, it seems. |
| Ivory’s screenplay is written by Chris Terrio, who won an Oscar for Argo, Ben Affleck’s 2012 thriller about the 1979 Iranian hostage crisis. Potential investors praise the script and describe the project as a “terrific idea”, said Ivory, “but nobody comes forward with the money”. | Ivory’s screenplay is written by Chris Terrio, who won an Oscar for Argo, Ben Affleck’s 2012 thriller about the 1979 Iranian hostage crisis. Potential investors praise the script and describe the project as a “terrific idea”, said Ivory, “but nobody comes forward with the money”. |
| He needs around £15m, which he says is “nothing as far as movies are concerned these days, but no one seems to want to take the risk”. | He needs around £15m, which he says is “nothing as far as movies are concerned these days, but no one seems to want to take the risk”. |
| This is not the first time Ivory has tried to get Richard II off the ground. It appears that Kenneth Branagh put the kibosh on a previous production in 1992, around the time Merchant and Ivory were making The Remains of the Day. | This is not the first time Ivory has tried to get Richard II off the ground. It appears that Kenneth Branagh put the kibosh on a previous production in 1992, around the time Merchant and Ivory were making The Remains of the Day. |
| “I had another cast. Daniel Day-Lewis as Richard II and Kenneth Branagh as Bolingbroke, or Henry IV as he becomes, and Emma Thompson as the queen,” said Ivory. “And then, unfortunately, Branagh said ‘I couldn’t play Bolingbroke, I’d have to play Richard’. | “I had another cast. Daniel Day-Lewis as Richard II and Kenneth Branagh as Bolingbroke, or Henry IV as he becomes, and Emma Thompson as the queen,” said Ivory. “And then, unfortunately, Branagh said ‘I couldn’t play Bolingbroke, I’d have to play Richard’. |
| “We were about to make another movie anyway, so I let it go and we didn’t proceed with it.” | “We were about to make another movie anyway, so I let it go and we didn’t proceed with it.” |
| Ivory, 89, founded Merchant Ivory with his production partner, the late Ismail Merchant, and collaborated on many films with screenwriter Ruth Prawer Jhabvala. | Ivory, 89, founded Merchant Ivory with his production partner, the late Ismail Merchant, and collaborated on many films with screenwriter Ruth Prawer Jhabvala. |
| Celebrated for literary adaptations, their films became well known for visual beauty and period detail. As well as established stars such as Maggie Smith, they cast young actors such as Daniel Day-Lewis, who played Cecil in Room with a View. The 1992 film Howards End, based on EM Forster’s 1910 novel, won three Oscars. It has just undergone a new 4K resolution restoration for its 25th anniversary. | Celebrated for literary adaptations, their films became well known for visual beauty and period detail. As well as established stars such as Maggie Smith, they cast young actors such as Daniel Day-Lewis, who played Cecil in Room with a View. The 1992 film Howards End, based on EM Forster’s 1910 novel, won three Oscars. It has just undergone a new 4K resolution restoration for its 25th anniversary. |
| Merchant died in 2005, but Ivory said: “Had he been around, [Richard II] would have been made. We don’t have a really good producer like Ismail.” Ivory is enthusiastic about the casting for his proposed film, describing Hiddleston and Lewis as “wonderful actors”. | Merchant died in 2005, but Ivory said: “Had he been around, [Richard II] would have been made. We don’t have a really good producer like Ismail.” Ivory is enthusiastic about the casting for his proposed film, describing Hiddleston and Lewis as “wonderful actors”. |
| Both have extensive experience of Shakespeare. Hiddleston, who starred in the BBC’s award-winning The Night Manager is playing Hamlet this month in a Branagh stage production. Lewis appeared with the Royal Shakespeare Company before television dramas such as Homeland, Wolf Hall and Billions. | Both have extensive experience of Shakespeare. Hiddleston, who starred in the BBC’s award-winning The Night Manager is playing Hamlet this month in a Branagh stage production. Lewis appeared with the Royal Shakespeare Company before television dramas such as Homeland, Wolf Hall and Billions. |
| Ivory knows exactly how he would adapt Richard II for the big screen: “It would make a fantastic thing visually to do a medieval film in 3D. We know very little about the medieval age. You read books about it. You go to museums and see the armour and so forth, but that’s really all we know about it. When it’s delivered as a film, you learn a lot.” | Ivory knows exactly how he would adapt Richard II for the big screen: “It would make a fantastic thing visually to do a medieval film in 3D. We know very little about the medieval age. You read books about it. You go to museums and see the armour and so forth, but that’s really all we know about it. When it’s delivered as a film, you learn a lot.” |
| He would shoot some of it in Westminster Hall, whose magnificent hammer-beam roof – the largest medieval timber roof in northern Europe – was commissioned in 1393 by Richard II. | He would shoot some of it in Westminster Hall, whose magnificent hammer-beam roof – the largest medieval timber roof in northern Europe – was commissioned in 1393 by Richard II. |
| Producer Stephen Evans was not surprised to hear of Ivory’s struggle to finance his film. He encountered “much scepticism” from potential investors in making Henry V with Branagh. It was only through friends in the City that he could fully finance the movie. Despite Oscar nominations for Branagh as best director and actor, and great reviews, the film did not do well at the box office. | Producer Stephen Evans was not surprised to hear of Ivory’s struggle to finance his film. He encountered “much scepticism” from potential investors in making Henry V with Branagh. It was only through friends in the City that he could fully finance the movie. Despite Oscar nominations for Branagh as best director and actor, and great reviews, the film did not do well at the box office. |
| Evans’s 1993 film, Much Ado About Nothing – again directed by Branagh – “fared better”, he said, primarily because Branagh and Thompson were now major names and the cast included Denzel Washington, Michael Keaton and Keanu Reeves. | Evans’s 1993 film, Much Ado About Nothing – again directed by Branagh – “fared better”, he said, primarily because Branagh and Thompson were now major names and the cast included Denzel Washington, Michael Keaton and Keanu Reeves. |
| “Without them, the film would certainly not have been made,” he added. “It was well-received and worked better as it was a comedy.” | “Without them, the film would certainly not have been made,” he added. “It was well-received and worked better as it was a comedy.” |
| He said: “Investing in Shakespeare is a labour of love. So many investment funds are frightened of the financial potential in making Shakespeare. The last Shakespeare released, Macbeth – despite having Michael Fassbender and Marion Cotillard as the two leads and being well received – only did middling business. | He said: “Investing in Shakespeare is a labour of love. So many investment funds are frightened of the financial potential in making Shakespeare. The last Shakespeare released, Macbeth – despite having Michael Fassbender and Marion Cotillard as the two leads and being well received – only did middling business. |
| “It is clearly very difficult. I do think that, if Shakespeare was around now, he would be in LA writing scripts for Star Wars and the like. There is so much good stuff that has been done on Shakespeare, it will take a new generation to rediscover his works and try to put new angles on his genius.” | “It is clearly very difficult. I do think that, if Shakespeare was around now, he would be in LA writing scripts for Star Wars and the like. There is so much good stuff that has been done on Shakespeare, it will take a new generation to rediscover his works and try to put new angles on his genius.” |
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