This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.

You can find the current article at its original source at https://www.theguardian.com/music/2017/aug/13/troubles-caused-by-singers-belting-it-out

The article has changed 3 times. There is an RSS feed of changes available.

Version 1 Version 2
Troubles caused by singers belting it out Troubles caused by singers belting it out
(7 days later)
Letters
Sun 13 Aug 2017 19.27 BST
Last modified on Mon 27 Nov 2017 18.35 GMT
Share on Facebook
Share on Twitter
Share via Email
View more sharing options
Share on LinkedIn
Share on Pinterest
Share on Google+
Share on WhatsApp
Share on Messenger
Close
Bernhard Warner (Why do stars like Adele keep losing their voice?, 10 August), omits one possibly vital factor: electronic amplification and the normalisation of excessive volume. As is clear from the article, singers like Beniamino Gigli and Enrico Caruso depended totally on vocal and abdominal training, whereas modern singers such as Adele depend for power and vocal strength on technology as well as their own skills. This means that both their public and their industry have different expectations from those of earlier talents. The same problem arises in my own profession of acting – increasingly performers are “miked” on stage so that their voices can carry, and many are no longer trained to “project” in the way Henry Irving or John Gielgud would have found commonplace.Ian FlintoffOxfordBernhard Warner (Why do stars like Adele keep losing their voice?, 10 August), omits one possibly vital factor: electronic amplification and the normalisation of excessive volume. As is clear from the article, singers like Beniamino Gigli and Enrico Caruso depended totally on vocal and abdominal training, whereas modern singers such as Adele depend for power and vocal strength on technology as well as their own skills. This means that both their public and their industry have different expectations from those of earlier talents. The same problem arises in my own profession of acting – increasingly performers are “miked” on stage so that their voices can carry, and many are no longer trained to “project” in the way Henry Irving or John Gielgud would have found commonplace.Ian FlintoffOxford
• A lover of musical theatre, I have been driven out of several shows in London recently because I can not stand the noise! I have explained to friends in showbiz that volume does not equal passion, and I prefer good acting to wailing and screaming. In response, they tell me that “belting” is actually a technique and it is (incomprehensibly to me) taught in stage schools.Sara NeillTunbridge Wells, Kent• A lover of musical theatre, I have been driven out of several shows in London recently because I can not stand the noise! I have explained to friends in showbiz that volume does not equal passion, and I prefer good acting to wailing and screaming. In response, they tell me that “belting” is actually a technique and it is (incomprehensibly to me) taught in stage schools.Sara NeillTunbridge Wells, Kent
• Join the debate – email guardian.letters@theguardian.com• Join the debate – email guardian.letters@theguardian.com
• Read more Guardian letters – click here to visit gu.com/letters• Read more Guardian letters – click here to visit gu.com/letters
MusicMusic
AdeleAdele
MusicalsMusicals
TheatreTheatre
lettersletters
Share on FacebookShare on Facebook
Share on TwitterShare on Twitter
Share via EmailShare via Email
Share on LinkedInShare on LinkedIn
Share on PinterestShare on Pinterest
Share on Google+Share on Google+
Share on WhatsAppShare on WhatsApp
Share on MessengerShare on Messenger
Reuse this contentReuse this content