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Grappling with a Roma identity | Grappling with a Roma identity |
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Life on the Edge: Looking for my Gypsy roots | Life on the Edge: Looking for my Gypsy roots |
By Steve Bradshaw Executive Producer, Life on the Edge | By Steve Bradshaw Executive Producer, Life on the Edge |
It was just a passing remark, the first time I heard Arpad Bogdan talk about the Roma father who had left him in an orphanage, and wonder if he should try to find him. | It was just a passing remark, the first time I heard Arpad Bogdan talk about the Roma father who had left him in an orphanage, and wonder if he should try to find him. |
Arpad Bogdan spent his childhood in a state orphanageWe were drinking late at night in a semi-derelict house in a Budapest side street. We had skipped over bicycles and rubbish to make our way inside. I should say this was not a doss house but a trendy Urban Minimalism club. | Arpad Bogdan spent his childhood in a state orphanageWe were drinking late at night in a semi-derelict house in a Budapest side street. We had skipped over bicycles and rubbish to make our way inside. I should say this was not a doss house but a trendy Urban Minimalism club. |
"He doesn't have to tell you this you know," whispered our mutual friend, director Antonia Meszaros. And it was then that I realised how conflicted Arpad is - how much of a dilemma his Roma inheritance has created. | "He doesn't have to tell you this you know," whispered our mutual friend, director Antonia Meszaros. And it was then that I realised how conflicted Arpad is - how much of a dilemma his Roma inheritance has created. |
Arpad is a much-garlanded young film director, whose feature film Happy New Life has won many awards. It is about a young Roma man's unbearable childhood in an orphanage. In the end, he can't hack it - unlike Arpad who emerged from his own orphanage into the University of Pecs and a promising film career. | Arpad is a much-garlanded young film director, whose feature film Happy New Life has won many awards. It is about a young Roma man's unbearable childhood in an orphanage. In the end, he can't hack it - unlike Arpad who emerged from his own orphanage into the University of Pecs and a promising film career. |
"My film," Arpad says, "is about the dilemmas of someone who realises that in order to face the future, he must come to terms with his past - and that's something that I still have to do in my own life." | "My film," Arpad says, "is about the dilemmas of someone who realises that in order to face the future, he must come to terms with his past - and that's something that I still have to do in my own life." |
Arpad was one of thousands of Roma - or gypsy - children who were taken into orphanages during Hungary's Communist years. The truth is cloudy here, but it seems that in some cases their parents wanted this, in many they didn't. | Arpad was one of thousands of Roma - or gypsy - children who were taken into orphanages during Hungary's Communist years. The truth is cloudy here, but it seems that in some cases their parents wanted this, in many they didn't. |
Sense of identity | Sense of identity |
"In the orphanage, being Roma had no positive implications for us," Arpad recalls. "But some of the kids were visited by their parents and they brought smells and flavours that were strange to me and even a little bit frightening. | "In the orphanage, being Roma had no positive implications for us," Arpad recalls. "But some of the kids were visited by their parents and they brought smells and flavours that were strange to me and even a little bit frightening. |
The Roma people are Hungary's largest minority"There was also something exotic and exciting about them. The smell of an open fire, the smell of freedom." | The Roma people are Hungary's largest minority"There was also something exotic and exciting about them. The smell of an open fire, the smell of freedom." |
Like many of his peers, and like many people in a globalised world, Arpad is now unsure where he belongs. He certainly seems to have a stake in the metro-savvy, globalised world of Budapest's cafes, salons and grunge clubs. | Like many of his peers, and like many people in a globalised world, Arpad is now unsure where he belongs. He certainly seems to have a stake in the metro-savvy, globalised world of Budapest's cafes, salons and grunge clubs. |
But does he also belong - at some level - in the world of Gypsy Harlem, Budapest's District Eight? Or in the villages where he reckoned his parents must still live? | But does he also belong - at some level - in the world of Gypsy Harlem, Budapest's District Eight? Or in the villages where he reckoned his parents must still live? |
Soon after our meeting, using powers under new Hungarian laws, Arpad sets off - in our own film - to find his parents. He had a rough idea where they lived, and had set off on a voyage of discovery before, only to lose his nerve. | Soon after our meeting, using powers under new Hungarian laws, Arpad sets off - in our own film - to find his parents. He had a rough idea where they lived, and had set off on a voyage of discovery before, only to lose his nerve. |
What he finds is extraordinary. Newly released records show his parents "liked a drink, [and] discipline their children by beating them". | What he finds is extraordinary. Newly released records show his parents "liked a drink, [and] discipline their children by beating them". |
He meets a brother, Laszlo, he had never met. He learns their mother is dead. And finally, he meets his ragged, handsome dad. A new young wife hangs back, in the shadows of the garden. Some 40 dogs bark and make our film crew nervous. | He meets a brother, Laszlo, he had never met. He learns their mother is dead. And finally, he meets his ragged, handsome dad. A new young wife hangs back, in the shadows of the garden. Some 40 dogs bark and make our film crew nervous. |
'Forgiving' | 'Forgiving' |
And then his dad smiles, and extends a hand, and says, "Which one are you?" He's so charming, it is impossible to take it the wrong way. | And then his dad smiles, and extends a hand, and says, "Which one are you?" He's so charming, it is impossible to take it the wrong way. |
Whether I'll see my father again, well maybe I will, but definitely not on my own Arpad Bogdan He's called Laszlo too. He was in prison for 12 years. | Whether I'll see my father again, well maybe I will, but definitely not on my own Arpad Bogdan He's called Laszlo too. He was in prison for 12 years. |
"I had a mean punch," he says. "I always say better be accompanied by a prison guard than a priest on your way to the cemetery. Isn't that right?" | "I had a mean punch," he says. "I always say better be accompanied by a prison guard than a priest on your way to the cemetery. Isn't that right?" |
The elder Laszlo doesn't see much of any of his nine children anymore. "At least you came to find me," he says. | The elder Laszlo doesn't see much of any of his nine children anymore. "At least you came to find me," he says. |
"As for the past, let's pull a veil over it, we should look to the future from now on." | "As for the past, let's pull a veil over it, we should look to the future from now on." |
Back in Budapest, Arpad must think about his own future. First he must decide what his next film is about. He's not really in a dilemma about whether to carve a career as a "gypsy director". He doesn't want to be typecast. | Back in Budapest, Arpad must think about his own future. First he must decide what his next film is about. He's not really in a dilemma about whether to carve a career as a "gypsy director". He doesn't want to be typecast. |
But he is uncertain about whether to stay in touch with his dad. | But he is uncertain about whether to stay in touch with his dad. |
"I looked at my father, into his eyes, and I suddenly felt myself forgiving him. I let him go, along with all the bad things I used to blame him for," he says. | "I looked at my father, into his eyes, and I suddenly felt myself forgiving him. I let him go, along with all the bad things I used to blame him for," he says. |
"After that, I could see him for what he is, I could listen to him. Whether I'll see my father again, well maybe I will, but definitely not on my own. I will have to take someone with me, someone from my own life." | "After that, I could see him for what he is, I could listen to him. Whether I'll see my father again, well maybe I will, but definitely not on my own. I will have to take someone with me, someone from my own life." |
We'll have to wait and see what he does. | We'll have to wait and see what he does. |
So far, he doesn't know himself. | So far, he doesn't know himself. |
Life on the Edge is broadcast on BBC World News on Tuesdays at 1930 GMT. The films were made for the BBC by TVE. | Life on the Edge is broadcast on BBC World News on Tuesdays at 1930 GMT. The films were made for the BBC by TVE. |
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