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| Rosenda Monteros, 83, Actress in ‘The Magnificent Seven,’ Dies | Rosenda Monteros, 83, Actress in ‘The Magnificent Seven,’ Dies |
| (about 7 hours later) | |
| Rosenda Monteros, a Mexican actress remembered for her turn as one of the few women in John Sturges’s classic western “The Magnificent Seven,” died on Dec. 29. She was 83. | Rosenda Monteros, a Mexican actress remembered for her turn as one of the few women in John Sturges’s classic western “The Magnificent Seven,” died on Dec. 29. She was 83. |
| Her death was confirmed by Mexico’s National Institute of Fine Arts, which did not say where she died or give the cause. | Her death was confirmed by Mexico’s National Institute of Fine Arts, which did not say where she died or give the cause. |
| Ms. Monteros, a successful actress in Mexican theater, films and television for more than five decades, played a small but important part in “The Magnificent Seven,” the 1960 remake of Akira Kurosawa’s 1954 film “Seven Samurai.” In the Hollywood version, seven gunslingers are hired by local farmers to defend their Mexican village from bandits. | |
| The movie had an all-star cast, with Yul Brynner, Steve McQueen, Charles Bronson, Horst Buchholz, Robert Vaughn, Brad Dexter and James Coburn as the seven gunmen and Eli Wallach as the leader of the bandits. The film featured a stirring and now instantly recognizable theme, composed by Elmer Bernstein. | |
| Ms. Monteros’s character, Petra, goes into hiding with the other women in the village when the gunmen arrive, but she is soon discovered. Bolder than many of the villagers, she pursues a romance with Mr. Buchholz’s character, the temperamental Chico. | Ms. Monteros’s character, Petra, goes into hiding with the other women in the village when the gunmen arrive, but she is soon discovered. Bolder than many of the villagers, she pursues a romance with Mr. Buchholz’s character, the temperamental Chico. |
| “I wasn’t afraid of you — it’s my father,” Petra says to Chico in one scene. “He says stay away from those men, they are brutes, they are cruel.” | “I wasn’t afraid of you — it’s my father,” Petra says to Chico in one scene. “He says stay away from those men, they are brutes, they are cruel.” |
| “He’s right, you know that?” Chico replies. “He’s right.” | “He’s right, you know that?” Chico replies. “He’s right.” |
| Their courtship is the only romantic thread in that testosterone-fueled film, and her part is one of the biggest among its Mexican actors. | Their courtship is the only romantic thread in that testosterone-fueled film, and her part is one of the biggest among its Mexican actors. |
| “The Magnificent Seven” was shot in Mexico, where a government censor kept a close eye on the production to make sure that Mexicans were depicted positively. Mr. Sturges told The New York Times in 1960 that the censor was “an autocrat” who operated “on the theory that anything debatable should be stricken out.” | “The Magnificent Seven” was shot in Mexico, where a government censor kept a close eye on the production to make sure that Mexicans were depicted positively. Mr. Sturges told The New York Times in 1960 that the censor was “an autocrat” who operated “on the theory that anything debatable should be stricken out.” |
| Mr. Sturges took note of one major change to the script: Instead of setting out to hire American fighters from the start, the farmers at first tried to buy guns for themselves. | Mr. Sturges took note of one major change to the script: Instead of setting out to hire American fighters from the start, the farmers at first tried to buy guns for themselves. |
| The changes angered Mr. Sturges, but Ms. Monteros, interviewed in the documentary “Guns for Hire: The Making of ‘The Magnificent Seven’ ” (2000), was more philosophical. | |
| “The script had to be checked and revised very carefully to make sure that there were no images that denigrated the country,” she said. “Because of the importance of the co-production, we had to get the film off the ground one way or another. It was good for the country.” | |
| Ms. Monteros was born on Aug. 31, 1935. She was active in Mexican theater from a young age and also performed in Europe, where she studied mime and performed with Marcel Marceau. | Ms. Monteros was born on Aug. 31, 1935. She was active in Mexican theater from a young age and also performed in Europe, where she studied mime and performed with Marcel Marceau. |
| Her other films included Luis Buñuel’s “Nazarin” (1959); “Tiara Tahiti” (1962), which starred James Mason; and “Cauldron of Blood” (1970), which starred Boris Karloff in one of his last roles. On television, she had a long-running part in the telenovela “Lucía Sombra.” | Her other films included Luis Buñuel’s “Nazarin” (1959); “Tiara Tahiti” (1962), which starred James Mason; and “Cauldron of Blood” (1970), which starred Boris Karloff in one of his last roles. On television, she had a long-running part in the telenovela “Lucía Sombra.” |
| Information on survivors was not immediately available. | |
| “The Magnificent Seven” is still beloved by western fans. It was remade by Antoine Fuqua in 2016, but without the character Petra and her romantic subplot. |