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Warren Kanders Resigns as Whitney Trustee After Protests Over Tear Gas Warren Kanders Resigns as Whitney Trustee After Protests Over Tear Gas
(about 5 hours later)
A vice chairman of the Whitney Museum of American Art stepped down on Thursday after months of protests over his company’s sale of tear gas, culminating in the withdrawal of eight artists last week from the prestigious Whitney Biennial exhibition.A vice chairman of the Whitney Museum of American Art stepped down on Thursday after months of protests over his company’s sale of tear gas, culminating in the withdrawal of eight artists last week from the prestigious Whitney Biennial exhibition.
“The targeted campaign of attacks against me and my company that has been waged these past several months has threatened to undermine the important work of the Whitney,” said the vice chairman, Warren B. Kanders, in his resignation letter to the board. “I joined this board to help the museum prosper. I do not wish to play a role, however inadvertent, in its demise.”“The targeted campaign of attacks against me and my company that has been waged these past several months has threatened to undermine the important work of the Whitney,” said the vice chairman, Warren B. Kanders, in his resignation letter to the board. “I joined this board to help the museum prosper. I do not wish to play a role, however inadvertent, in its demise.”
Mr. Kanders owns Safariland, a Jacksonville, Fla.-based manufacturer of law enforcement and military supplies including bulletproof vests, bomb-defusing robots, gun holsters and tear gas. Protesters had demanded Mr. Kanders’s resignation, or removal from the board, after reports that Safariland’s tear-gas grenades had been used against migrants at the United States-Mexico border and elsewhere during protests.Mr. Kanders owns Safariland, a Jacksonville, Fla.-based manufacturer of law enforcement and military supplies including bulletproof vests, bomb-defusing robots, gun holsters and tear gas. Protesters had demanded Mr. Kanders’s resignation, or removal from the board, after reports that Safariland’s tear-gas grenades had been used against migrants at the United States-Mexico border and elsewhere during protests.
The controversy thrust the museum into the political arguments roiling the country, and came at a time of increasing scrutiny of where cultural institutions get their money. Mr. Kanders’s departure could embolden other protest movements that have demanded, with some success, that museums part ways with major donors or trustees.The controversy thrust the museum into the political arguments roiling the country, and came at a time of increasing scrutiny of where cultural institutions get their money. Mr. Kanders’s departure could embolden other protest movements that have demanded, with some success, that museums part ways with major donors or trustees.
The Metropolitan Museum of Art and other museums have said they would stop accepting gifts from members of the Sackler family associated with the maker of OxyContin, after allegations that the company deliberately concealed its addictive potential. Museums in Britain have faced pressure to cut ties with the oil company BP, which has been accused of contributing to the climate crisis. Last year, scientists, academics and curators called on Rebekah Mercer to resign from the board of the American Museum of Natural History, given her support of conservative groups that deny climate science. The Metropolitan Museum of Art and other museums have said they would stop accepting gifts from members of the Sackler family associated with the maker of OxyContin, after allegations that the company deliberately concealed its addictive potential. Museums in Britain have faced pressure to cut ties with the oil company BP, which has been accused of contributing to the climate crisis.
Mr. Kanders, 61, joined the Whitney board in 2006, had been on the executive committee for five years, and has donated more than $10 million to the museum. He and his wife, Allison, are avid art collectors, owning work by contemporary artists like Jeff Koons, Christopher Wool, Rudolf Stingel and Ed Ruscha. Ms. Kanders was co-chairwoman of the museum’s painting and sculpture committee; she resigned simultaneously with her husband. The growing influence of these movements, and their potential to drive away major sources of museums’ revenue, was evident in the reaction of Adam D. Weinberg, the Whitney’s director, to Mr. Kanders’s departure. “Here’s a man who has given a tremendous amount of his time and money to young, often edgy and radical artists somebody who is very progressive that’s one of the ironies of all this,” Mr. Weinberg said.
“The Whitney Museum is one of the most progressive, the most diverse, the most engaged open programs of any major institution in the country,” he added. “Every museum director is looking at us right now and saying, ‘Gee, if the Whitney is being targeted, what’s going to happen to us?’”
Several hours after Mr. Kanders announced his resignation, the eight artists who withdrew from the Biennial said that they would remain in the show. And the group that led the protests, Decolonize This Place, said that it was heartened by Mr. Kanders’s departure, thanking the museum for heeding its calls while also suggesting that the group was not done demanding changes.
“Now we address the day after Kanders and call on Adam Weinberg and the museum leadership to meet with stakeholders to discuss from tear gas to decolonization, a process of reformulating our museums to be responsive to the constituencies they claim to serve,” the group said in a statement.
Mr. Kanders, 61, joined the Whitney board in 2006, had been on the executive committee for seven years, and has donated more than $10 million to the museum. Through a spokesman, he declined to comment on Thursday.
He and his wife, Allison, are avid art collectors, owning work by contemporary artists like Jeff Koons, Christopher Wool, Rudolf Stingel and Ed Ruscha. Ms. Kanders was co-chairwoman of the museum’s painting and sculpture committee; she resigned simultaneously with her husband.
A graduate of Choate Rosemary Hall, the elite Connecticut boarding school, and Brown University, Mr. Kanders began working in finance doing mergers and acquisitions at Morgan Stanley. He later struck out on his own, buying up a series of eyewear stores, lens and frame manufacturers that he eventually sold in 1996.A graduate of Choate Rosemary Hall, the elite Connecticut boarding school, and Brown University, Mr. Kanders began working in finance doing mergers and acquisitions at Morgan Stanley. He later struck out on his own, buying up a series of eyewear stores, lens and frame manufacturers that he eventually sold in 1996.
Mr. Kanders plowed some of his profits into a company called American Body Armor. After the Sept. 11, 2001, attacks, another business he had purchased, which made armor for vehicles, took off, and he continued investing in law enforcement and military products.Mr. Kanders plowed some of his profits into a company called American Body Armor. After the Sept. 11, 2001, attacks, another business he had purchased, which made armor for vehicles, took off, and he continued investing in law enforcement and military products.
Pressure on the Whitney began last November, when more than 100 staff members signed a letter demanding that the museum respond to a report on the website Hyperallergic that linked Mr. Kanders to the tear gas fired by border protection agents into a crowd that included children. Adam D. Weinberg, the Whitney’s director, responded in a letter: “The Whitney is first and foremost a museum. It cannot right all the ills of an unjust world, nor is that its role. Yet, I contend that the Whitney has a critical and urgent part to play in making sure that unheard and unwanted voices are recognized.” Pressure on the Whitney began last November, when more than 100 staff members signed a letter demanding that the museum respond to a report on the website Hyperallergic that linked Mr. Kanders to the tear gas fired by border protection agents into a crowd that included children.
In December, one of the artists in the Biennial, Michael Rakowitz, pulled out of the exhibition to protest Mr. Kanders. Four months later, a group of critics, scholars and artists called for Mr. Kanders’s removal. Periodic demonstrations at the museum reached a climax at the official opening of the Biennial in May, as a giant tear gas sculpture was parked near the entrance and protesters marched to Mr. Kanders’s Greenwich Village townhouse.In December, one of the artists in the Biennial, Michael Rakowitz, pulled out of the exhibition to protest Mr. Kanders. Four months later, a group of critics, scholars and artists called for Mr. Kanders’s removal. Periodic demonstrations at the museum reached a climax at the official opening of the Biennial in May, as a giant tear gas sculpture was parked near the entrance and protesters marched to Mr. Kanders’s Greenwich Village townhouse.
Last week, four artists — including the MacArthur “genius grant” winner Nicole Eisenman — in a letter published by Artforum asked the Whitney to remove their work from the Biennial, which runs through Sept. 22; four more followed suit. Their work has not yet been removed, and more than 60 artists remain in the show, but the withdrawals created a tipping point for tensions already overshadowing the Whitney’s signature event. Then last week, four artists — including the MacArthur “genius grant” winner Nicole Eisenman — in a letter published by Artforum asked the Whitney to remove their work from the Biennial, which runs through Sept. 22; four more followed suit. More than 60 artists remained in the show, but the withdrawals created a tipping point for tensions already overshadowing the Whitney’s signature event.
Mr. Kanders, who has donated generously to various charities besides the Whitney, and to politicians from both major parties, had remained unmoved. Responding to the museum staff’s letter, he wrote in December, “I think it is clear that I am not the problem the authors of the letter seek to solve.” Safariland’s slogan is “Together, We Save Lives,” and Mr. Kanders has said repeatedly that there were many examples of police officers who were saved by his company’s products.Mr. Kanders, who has donated generously to various charities besides the Whitney, and to politicians from both major parties, had remained unmoved. Responding to the museum staff’s letter, he wrote in December, “I think it is clear that I am not the problem the authors of the letter seek to solve.” Safariland’s slogan is “Together, We Save Lives,” and Mr. Kanders has said repeatedly that there were many examples of police officers who were saved by his company’s products.
The Whitney had stood by its vice chairman since the fall — Mr. Kanders was unanimously reappointed vice chair just last month — but the situation began to flummox other trustees, according to people involved with board discussions who spoke on condition of anonymity so they could describe private conversations. Some felt Mr. Kanders should quit for the good of the museum; others worried that his doing so would embolden protesters to demand the resignation of other board members, including some who have also had business interests in industries that have been targeted by activists, like oil and gas companies and defense contractors.The Whitney had stood by its vice chairman since the fall — Mr. Kanders was unanimously reappointed vice chair just last month — but the situation began to flummox other trustees, according to people involved with board discussions who spoke on condition of anonymity so they could describe private conversations. Some felt Mr. Kanders should quit for the good of the museum; others worried that his doing so would embolden protesters to demand the resignation of other board members, including some who have also had business interests in industries that have been targeted by activists, like oil and gas companies and defense contractors.
The group Decolonize This Place, which led protests against Mr. Kanders, said in a statement on Thursday: “We welcome this step by the museum leadership as an act of good faith, responsive to the staff, community groups, activists, organizers, artists, and thinkers who have demanded the removal of Kanders.”
The group also suggested that it was not done with the Whitney: “Now we address the day after Kanders and call on Adam Weinberg and the museum leadership to meet with stakeholders to discuss from tear gas to decolonization, a process of reformulating our museums to be responsive to the constituencies they claim to serve.”
In his resignation letter, Mr. Kanders wrote, “The politicized and oftentimes toxic environment in which we find ourselves across all spheres of public discourse, including the art community, puts the work of this board in great jeopardy.”In his resignation letter, Mr. Kanders wrote, “The politicized and oftentimes toxic environment in which we find ourselves across all spheres of public discourse, including the art community, puts the work of this board in great jeopardy.”
Still unclear is whether Mr. Kanders was ultimately pressured by the Whitney to step down. His resignation letter suggested that he was not parting on the best of terms. “I hope you assume the responsibility that your position bestows upon you,” he wrote, “and find the leadership to maintain the integrity of this museum.”Still unclear is whether Mr. Kanders was ultimately pressured by the Whitney to step down. His resignation letter suggested that he was not parting on the best of terms. “I hope you assume the responsibility that your position bestows upon you,” he wrote, “and find the leadership to maintain the integrity of this museum.”
Tiffany Hsu contributed reporting and Susan C. Beachy contributed research.Tiffany Hsu contributed reporting and Susan C. Beachy contributed research.