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Roger DaSilva's rediscovered archive reveals 1950s Senegal chic | Roger DaSilva's rediscovered archive reveals 1950s Senegal chic |
(8 days later) | |
Celebrities, presidents and partygoers are all part of a rich archive of images from Senegal in the 1950s and 1960s mostly unseen by the public until now. | Celebrities, presidents and partygoers are all part of a rich archive of images from Senegal in the 1950s and 1960s mostly unseen by the public until now. |
They are the work of World War Two veteran Roger DaSilva who set up his own photo studio in the capital Dakar - "Studio Da Silva" - where many of these photos were taken. | They are the work of World War Two veteran Roger DaSilva who set up his own photo studio in the capital Dakar - "Studio Da Silva" - where many of these photos were taken. |
"He was an artist at heart," his son Luc DaSilva tells the BBC. "Photography was his life." | "He was an artist at heart," his son Luc DaSilva tells the BBC. "Photography was his life." |
Roger DaSilva was never formally exhibited during his lifetime yet he had a vast body of work of about 75,000 photographs on negatives, most of which remain unseen. | Roger DaSilva was never formally exhibited during his lifetime yet he had a vast body of work of about 75,000 photographs on negatives, most of which remain unseen. |
They have since been restored by the Josef and Anni Albers Foundation, Le Korsa and Luc DaSilva's Xaritufoto organisation - with a selection of these now on display at this weekend's Also Known As Africa art and design fair in Paris. | They have since been restored by the Josef and Anni Albers Foundation, Le Korsa and Luc DaSilva's Xaritufoto organisation - with a selection of these now on display at this weekend's Also Known As Africa art and design fair in Paris. |
Roger DaSilva was born in Benin and took up photography when he joined the French army in 1942. | Roger DaSilva was born in Benin and took up photography when he joined the French army in 1942. |
"He was wounded while in service, so a colonel drafted him in to take medical photos in hospitals - some were of people who had survived concentration camps," Luc says. | "He was wounded while in service, so a colonel drafted him in to take medical photos in hospitals - some were of people who had survived concentration camps," Luc says. |
Soon after the war ended DaSilva decided to settle in Senegal. | Soon after the war ended DaSilva decided to settle in Senegal. |
At that time, Senegal like many other African countries was on the cusp of independence. DaSilva's photographs capture Dakar's high society of the era - the upscale nightclubs and weddings, as well as family portraits and street scenes. | At that time, Senegal like many other African countries was on the cusp of independence. DaSilva's photographs capture Dakar's high society of the era - the upscale nightclubs and weddings, as well as family portraits and street scenes. |
DaSilva cut a chic figure himself, as his self-portraits show. In one, we see him poised with a cigarette in hand. | DaSilva cut a chic figure himself, as his self-portraits show. In one, we see him poised with a cigarette in hand. |
Another shows him shaking hands with US jazz singer Velma Middleton at the 1966 World Festival of Black Arts in Dakar. | |
He also met and photographed jazz musician Louis Armstrong there. | |
Another notable subject he captured was Senegal's first president, Léopold Sédar Senghor. | Another notable subject he captured was Senegal's first president, Léopold Sédar Senghor. |
"I think all of them made a big impression on him," Luc says. "But Satchmo [Louis Armstrong's nickname] was his favourite singer." | "I think all of them made a big impression on him," Luc says. "But Satchmo [Louis Armstrong's nickname] was his favourite singer." |
Restoration of these images has been a joint effort over several years. | Restoration of these images has been a joint effort over several years. |
"There's a spirit of joy and gaiety in my father's photos, I feel very close to his work," says Luc. | "There's a spirit of joy and gaiety in my father's photos, I feel very close to his work," says Luc. |
"This is about archive and memory, and preserving and valuing African photography. It's a shared heritage." | "This is about archive and memory, and preserving and valuing African photography. It's a shared heritage." |
All images taken by Roger DaSilva, copyright of the Josef and Anni Albers Foundation and courtesy of Xaritufoto and Le Korsa. | All images taken by Roger DaSilva, copyright of the Josef and Anni Albers Foundation and courtesy of Xaritufoto and Le Korsa. |
Update 18 November 2019: This article has been changed to correctly identify the late US jazz singer Velma Middleton. |
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