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The Larger Costs of Closing a Local Museum During Coronavirus The Larger Costs of Closing a Local Museum During Coronavirus
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LOS ANGELES — The low-slung building on Washington Boulevard here might seem like a nondescript storefront sandwiched between a carpet installation business and a lawn mower repair shop.LOS ANGELES — The low-slung building on Washington Boulevard here might seem like a nondescript storefront sandwiched between a carpet installation business and a lawn mower repair shop.
But in the eight years since it was founded, the Underground Museum has become not only one of the most important destinations for black art in the country but also a crucial gathering place for its working class Arlington Heights neighborhood — with a bookstore featuring works by black writers, poetry readings in the wooden bar and events in its back garden including free meditation, yoga and movie screenings.But in the eight years since it was founded, the Underground Museum has become not only one of the most important destinations for black art in the country but also a crucial gathering place for its working class Arlington Heights neighborhood — with a bookstore featuring works by black writers, poetry readings in the wooden bar and events in its back garden including free meditation, yoga and movie screenings.
As cultural institutions all over the world wrestle with how to bring art to the public during the pandemic, smaller ones like the Underground Museum are also trying to figure out how to continue serving communities that have come to rely on them in other ways.As cultural institutions all over the world wrestle with how to bring art to the public during the pandemic, smaller ones like the Underground Museum are also trying to figure out how to continue serving communities that have come to rely on them in other ways.
“It’s not just pretty pictures we’re putting on the wall,” said Karon Davis, an artist who created the museum with her husband, the painter Noah Davis, who was the moving force behind the Underground and died in 2015 of a rare cancer at age 32. “We’re actually doing a lot of work for the community.”“It’s not just pretty pictures we’re putting on the wall,” said Karon Davis, an artist who created the museum with her husband, the painter Noah Davis, who was the moving force behind the Underground and died in 2015 of a rare cancer at age 32. “We’re actually doing a lot of work for the community.”
Most immediately, the Underground — which is not planning layoffs — is trying to minister to its public by helping deliver produce, continuing its weekly meditation program via Instagram and working to create a neighborhood support program even as residents adjust to life without the museum.Most immediately, the Underground — which is not planning layoffs — is trying to minister to its public by helping deliver produce, continuing its weekly meditation program via Instagram and working to create a neighborhood support program even as residents adjust to life without the museum.
“It was my go-to spot to hang out,” said Jazzi McGilbert, the owner of Reparations Club, a concept store that opened in the neighborhood about a year ago. “I had my mother’s funeral in their garden. It has always been a safe haven for me, so not being able to go — it’s isolating. They’re like my family.”“It was my go-to spot to hang out,” said Jazzi McGilbert, the owner of Reparations Club, a concept store that opened in the neighborhood about a year ago. “I had my mother’s funeral in their garden. It has always been a safe haven for me, so not being able to go — it’s isolating. They’re like my family.”
Christopher Hearn, who regularly attends yoga classes, said he has also come to rely on the Underground as a place “you can go to exhale and imagine at the same time.”Christopher Hearn, who regularly attends yoga classes, said he has also come to rely on the Underground as a place “you can go to exhale and imagine at the same time.”
And Naeem Forrester, who works at the nearby Natraliart Jamaican Restaurant & Market, said the Underground Museum had “been a huge influence on the growth of our business in the past few years.”And Naeem Forrester, who works at the nearby Natraliart Jamaican Restaurant & Market, said the Underground Museum had “been a huge influence on the growth of our business in the past few years.”
“We miss the rush of customers from their lively events as well the usual neighborly chats,” Mr. Forrester said. “It definitely feels different not having them around.”“We miss the rush of customers from their lively events as well the usual neighborly chats,” Mr. Forrester said. “It definitely feels different not having them around.”
The museum has also become a model for more established institutions on how to connect with a community, while also presenting first-rate exhibitions.The museum has also become a model for more established institutions on how to connect with a community, while also presenting first-rate exhibitions.
“The best cultural institutions play important roles in their respective communities, far beyond showing art,” said Christine Y. Kim, contemporary art curator at the Los Angeles County Museum of Art, which itself is trying to reach underrepresented neighborhoods. “The Underground Museum has an energy that we are desperately missing during this quarantine period, especially as we were looking forward to Noah’s beautiful solo exhibition.”“The best cultural institutions play important roles in their respective communities, far beyond showing art,” said Christine Y. Kim, contemporary art curator at the Los Angeles County Museum of Art, which itself is trying to reach underrepresented neighborhoods. “The Underground Museum has an energy that we are desperately missing during this quarantine period, especially as we were looking forward to Noah’s beautiful solo exhibition.”
Indeed, the virus crisis took hold just as the museum was about to present the highly anticipated exhibition of work by Mr. Davis, who created the museum to bring art to what he viewed as the cultural equivalent of a food desert.Indeed, the virus crisis took hold just as the museum was about to present the highly anticipated exhibition of work by Mr. Davis, who created the museum to bring art to what he viewed as the cultural equivalent of a food desert.
The show — which was set to open on March 21 after an acclaimed run at the David Zwirner gallery in New York — would have marked the first formal presentation of Mr. Davis’s work in his own museum and promised to raise the profile of an institution that is otherwise known mostly to art insiders and local residents.The show — which was set to open on March 21 after an acclaimed run at the David Zwirner gallery in New York — would have marked the first formal presentation of Mr. Davis’s work in his own museum and promised to raise the profile of an institution that is otherwise known mostly to art insiders and local residents.
“It was really hard to push the opening,” Ms. Davis said. “It’s been anticipated by the family, the staff and the community and now people really have to wait for it.”“It was really hard to push the opening,” Ms. Davis said. “It’s been anticipated by the family, the staff and the community and now people really have to wait for it.”
The 27 canvases featured in the Zwirner exhibition were noteworthy for their painterly skill, quotidian beauty and quiet humanity. The installation also paid homage to the Underground, with a “back room” modeled on the museum’s offices; a video montage by Mr. Davis’s brother, the filmmaker Kahlil Joseph; a sculpture by his wife; and furniture designed by his mother, Faith Childs-Davis.The 27 canvases featured in the Zwirner exhibition were noteworthy for their painterly skill, quotidian beauty and quiet humanity. The installation also paid homage to the Underground, with a “back room” modeled on the museum’s offices; a video montage by Mr. Davis’s brother, the filmmaker Kahlil Joseph; a sculpture by his wife; and furniture designed by his mother, Faith Childs-Davis.
The Underground Museum has always been a family affair, including not only Mr. Davis and his wife — who at first lived on a mattress in the museum with their infant son Moses — but also Mr. Joseph and his wife, Onye Anyanwu, a film producer.The Underground Museum has always been a family affair, including not only Mr. Davis and his wife — who at first lived on a mattress in the museum with their infant son Moses — but also Mr. Joseph and his wife, Onye Anyanwu, a film producer.
Eschewing the gallery system, Mr. Davis used an inheritance from his father, Keven Joseph Davis — a sports-and-entertainment lawyer, who represented the Williams sisters — to create the studio and home that became the museum.Eschewing the gallery system, Mr. Davis used an inheritance from his father, Keven Joseph Davis — a sports-and-entertainment lawyer, who represented the Williams sisters — to create the studio and home that became the museum.
At first the couple put up their own shows, including one with its own versions of iconic works like Jeff Koons’s vacuum cleaner; because of the museum’s lack of climate control, other institutions would not lend work. Mr. Davis planned a “Purple Garden” in the back of the museum, inspired by European gardens, that would hold only purple flowers.At first the couple put up their own shows, including one with its own versions of iconic works like Jeff Koons’s vacuum cleaner; because of the museum’s lack of climate control, other institutions would not lend work. Mr. Davis planned a “Purple Garden” in the back of the museum, inspired by European gardens, that would hold only purple flowers.
“It was a bit of a playground for friends and artists to explore ideas,” Ms. Davis said, “very casual.”“It was a bit of a playground for friends and artists to explore ideas,” Ms. Davis said, “very casual.”
Particularly after his diagnosis, Mr. Davis drove himself hard. “He was just on a mission,” Ms. Davis said. “I really feel the museum was a healing project for him.”Particularly after his diagnosis, Mr. Davis drove himself hard. “He was just on a mission,” Ms. Davis said. “I really feel the museum was a healing project for him.”
Mr. Davis never got to fully realize that mission for the Underground Museum. He left a list of 18 curatorial proposals; the museum has worked its way through four of them so far. The Underground, under its current director, Megan Steinman, has also presented its own shows, featuring artists like Lorna Simpson, Deana Lawson and, most recently, Rodney McMillian.Mr. Davis never got to fully realize that mission for the Underground Museum. He left a list of 18 curatorial proposals; the museum has worked its way through four of them so far. The Underground, under its current director, Megan Steinman, has also presented its own shows, featuring artists like Lorna Simpson, Deana Lawson and, most recently, Rodney McMillian.
“He knew time was short,” Ms. Davis said. “Three days before he passed, he was in the garage till 4 a.m. with a morphine bag, painting all the way up to the end.”“He knew time was short,” Ms. Davis said. “Three days before he passed, he was in the garage till 4 a.m. with a morphine bag, painting all the way up to the end.”
In 2014, the curator Helen Molesworth, then at the Museum of Contemporary Art, Los Angeles, discovered the Underground, where she connected with Mr. Davis. They established an official partnership through which MOCA lent work to the Underground, the first of which was a multipart video installation by the South African artist William Kentridge. “I had begun to understand the Underground Museum as an artwork in itself,” Ms. Molesworth said.In 2014, the curator Helen Molesworth, then at the Museum of Contemporary Art, Los Angeles, discovered the Underground, where she connected with Mr. Davis. They established an official partnership through which MOCA lent work to the Underground, the first of which was a multipart video installation by the South African artist William Kentridge. “I had begun to understand the Underground Museum as an artwork in itself,” Ms. Molesworth said.
Updated June 5, 2020Updated June 5, 2020
So far, the evidence seems to show it does. A widely cited paper published in April suggests that people are most infectious about two days before the onset of coronavirus symptoms and estimated that 44 percent of new infections were a result of transmission from people who were not yet showing symptoms. Recently, a top expert at the World Health Organization stated that transmission of the coronavirus by people who did not have symptoms was “very rare,” but she later walked back that statement.
A study by European scientists is the first to document a strong statistical link between genetic variations and Covid-19, the illness caused by the coronavirus. Having Type A blood was linked to a 50 percent increase in the likelihood that a patient would need to get oxygen or to go on a ventilator, according to the new study.A study by European scientists is the first to document a strong statistical link between genetic variations and Covid-19, the illness caused by the coronavirus. Having Type A blood was linked to a 50 percent increase in the likelihood that a patient would need to get oxygen or to go on a ventilator, according to the new study.
The unemployment rate fell to 13.3 percent in May, the Labor Department said on June 5, an unexpected improvement in the nation’s job market as hiring rebounded faster than economists expected. Economists had forecast the unemployment rate to increase to as much as 20 percent, after it hit 14.7 percent in April, which was the highest since the government began keeping official statistics after World War II. But the unemployment rate dipped instead, with employers adding 2.5 million jobs, after more than 20 million jobs were lost in April.The unemployment rate fell to 13.3 percent in May, the Labor Department said on June 5, an unexpected improvement in the nation’s job market as hiring rebounded faster than economists expected. Economists had forecast the unemployment rate to increase to as much as 20 percent, after it hit 14.7 percent in April, which was the highest since the government began keeping official statistics after World War II. But the unemployment rate dipped instead, with employers adding 2.5 million jobs, after more than 20 million jobs were lost in April.
Mass protests against police brutality that have brought thousands of people onto the streets in cities across America are raising the specter of new coronavirus outbreaks, prompting political leaders, physicians and public health experts to warn that the crowds could cause a surge in cases. While many political leaders affirmed the right of protesters to express themselves, they urged the demonstrators to wear face masks and maintain social distancing, both to protect themselves and to prevent further community spread of the virus. Some infectious disease experts were reassured by the fact that the protests were held outdoors, saying the open air settings could mitigate the risk of transmission.Mass protests against police brutality that have brought thousands of people onto the streets in cities across America are raising the specter of new coronavirus outbreaks, prompting political leaders, physicians and public health experts to warn that the crowds could cause a surge in cases. While many political leaders affirmed the right of protesters to express themselves, they urged the demonstrators to wear face masks and maintain social distancing, both to protect themselves and to prevent further community spread of the virus. Some infectious disease experts were reassured by the fact that the protests were held outdoors, saying the open air settings could mitigate the risk of transmission.
Exercise researchers and physicians have some blunt advice for those of us aiming to return to regular exercise now: Start slowly and then rev up your workouts, also slowly. American adults tended to be about 12 percent less active after the stay-at-home mandates began in March than they were in January. But there are steps you can take to ease your way back into regular exercise safely. First, “start at no more than 50 percent of the exercise you were doing before Covid,” says Dr. Monica Rho, the chief of musculoskeletal medicine at the Shirley Ryan AbilityLab in Chicago. Thread in some preparatory squats, too, she advises. “When you haven’t been exercising, you lose muscle mass.” Expect some muscle twinges after these preliminary, post-lockdown sessions, especially a day or two later. But sudden or increasing pain during exercise is a clarion call to stop and return home.Exercise researchers and physicians have some blunt advice for those of us aiming to return to regular exercise now: Start slowly and then rev up your workouts, also slowly. American adults tended to be about 12 percent less active after the stay-at-home mandates began in March than they were in January. But there are steps you can take to ease your way back into regular exercise safely. First, “start at no more than 50 percent of the exercise you were doing before Covid,” says Dr. Monica Rho, the chief of musculoskeletal medicine at the Shirley Ryan AbilityLab in Chicago. Thread in some preparatory squats, too, she advises. “When you haven’t been exercising, you lose muscle mass.” Expect some muscle twinges after these preliminary, post-lockdown sessions, especially a day or two later. But sudden or increasing pain during exercise is a clarion call to stop and return home.
States are reopening bit by bit. This means that more public spaces are available for use and more and more businesses are being allowed to open again. The federal government is largely leaving the decision up to states, and some state leaders are leaving the decision up to local authorities. Even if you aren’t being told to stay at home, it’s still a good idea to limit trips outside and your interaction with other people.States are reopening bit by bit. This means that more public spaces are available for use and more and more businesses are being allowed to open again. The federal government is largely leaving the decision up to states, and some state leaders are leaving the decision up to local authorities. Even if you aren’t being told to stay at home, it’s still a good idea to limit trips outside and your interaction with other people.
Touching contaminated objects and then infecting ourselves with the germs is not typically how the virus spreads. But it can happen. A number of studies of flu, rhinovirus, coronavirus and other microbes have shown that respiratory illnesses, including the new coronavirus, can spread by touching contaminated surfaces, particularly in places like day care centers, offices and hospitals. But a long chain of events has to happen for the disease to spread that way. The best way to protect yourself from coronavirus — whether it’s surface transmission or close human contact — is still social distancing, washing your hands, not touching your face and wearing masks.Touching contaminated objects and then infecting ourselves with the germs is not typically how the virus spreads. But it can happen. A number of studies of flu, rhinovirus, coronavirus and other microbes have shown that respiratory illnesses, including the new coronavirus, can spread by touching contaminated surfaces, particularly in places like day care centers, offices and hospitals. But a long chain of events has to happen for the disease to spread that way. The best way to protect yourself from coronavirus — whether it’s surface transmission or close human contact — is still social distancing, washing your hands, not touching your face and wearing masks.
Common symptoms include fever, a dry cough, fatigue and difficulty breathing or shortness of breath. Some of these symptoms overlap with those of the flu, making detection difficult, but runny noses and stuffy sinuses are less common. The C.D.C. has also added chills, muscle pain, sore throat, headache and a new loss of the sense of taste or smell as symptoms to look out for. Most people fall ill five to seven days after exposure, but symptoms may appear in as few as two days or as many as 14 days.Common symptoms include fever, a dry cough, fatigue and difficulty breathing or shortness of breath. Some of these symptoms overlap with those of the flu, making detection difficult, but runny noses and stuffy sinuses are less common. The C.D.C. has also added chills, muscle pain, sore throat, headache and a new loss of the sense of taste or smell as symptoms to look out for. Most people fall ill five to seven days after exposure, but symptoms may appear in as few as two days or as many as 14 days.
If air travel is unavoidable, there are some steps you can take to protect yourself. Most important: Wash your hands often, and stop touching your face. If possible, choose a window seat. A study from Emory University found that during flu season, the safest place to sit on a plane is by a window, as people sitting in window seats had less contact with potentially sick people. Disinfect hard surfaces. When you get to your seat and your hands are clean, use disinfecting wipes to clean the hard surfaces at your seat like the head and arm rest, the seatbelt buckle, the remote, screen, seat back pocket and the tray table. If the seat is hard and nonporous or leather or pleather, you can wipe that down, too. (Using wipes on upholstered seats could lead to a wet seat and spreading of germs rather than killing them.)If air travel is unavoidable, there are some steps you can take to protect yourself. Most important: Wash your hands often, and stop touching your face. If possible, choose a window seat. A study from Emory University found that during flu season, the safest place to sit on a plane is by a window, as people sitting in window seats had less contact with potentially sick people. Disinfect hard surfaces. When you get to your seat and your hands are clean, use disinfecting wipes to clean the hard surfaces at your seat like the head and arm rest, the seatbelt buckle, the remote, screen, seat back pocket and the tray table. If the seat is hard and nonporous or leather or pleather, you can wipe that down, too. (Using wipes on upholstered seats could lead to a wet seat and spreading of germs rather than killing them.)
Taking one’s temperature to look for signs of fever is not as easy as it sounds, as “normal” temperature numbers can vary, but generally, keep an eye out for a temperature of 100.5 degrees Fahrenheit or higher. If you don’t have a thermometer (they can be pricey these days), there are other ways to figure out if you have a fever, or are at risk of Covid-19 complications.Taking one’s temperature to look for signs of fever is not as easy as it sounds, as “normal” temperature numbers can vary, but generally, keep an eye out for a temperature of 100.5 degrees Fahrenheit or higher. If you don’t have a thermometer (they can be pricey these days), there are other ways to figure out if you have a fever, or are at risk of Covid-19 complications.
The C.D.C. has recommended that all Americans wear cloth masks if they go out in public. This is a shift in federal guidance reflecting new concerns that the coronavirus is being spread by infected people who have no symptoms. Until now, the C.D.C., like the W.H.O., has advised that ordinary people don’t need to wear masks unless they are sick and coughing. Part of the reason was to preserve medical-grade masks for health care workers who desperately need them at a time when they are in continuously short supply. Masks don’t replace hand washing and social distancing.The C.D.C. has recommended that all Americans wear cloth masks if they go out in public. This is a shift in federal guidance reflecting new concerns that the coronavirus is being spread by infected people who have no symptoms. Until now, the C.D.C., like the W.H.O., has advised that ordinary people don’t need to wear masks unless they are sick and coughing. Part of the reason was to preserve medical-grade masks for health care workers who desperately need them at a time when they are in continuously short supply. Masks don’t replace hand washing and social distancing.
If you’ve been exposed to the coronavirus or think you have, and have a fever or symptoms like a cough or difficulty breathing, call a doctor. They should give you advice on whether you should be tested, how to get tested, and how to seek medical treatment without potentially infecting or exposing others.If you’ve been exposed to the coronavirus or think you have, and have a fever or symptoms like a cough or difficulty breathing, call a doctor. They should give you advice on whether you should be tested, how to get tested, and how to seek medical treatment without potentially infecting or exposing others.
If you’re sick and you think you’ve been exposed to the new coronavirus, the C.D.C. recommends that you call your healthcare provider and explain your symptoms and fears. They will decide if you need to be tested. Keep in mind that there’s a chance — because of a lack of testing kits or because you’re asymptomatic, for instance — you won’t be able to get tested.If you’re sick and you think you’ve been exposed to the new coronavirus, the C.D.C. recommends that you call your healthcare provider and explain your symptoms and fears. They will decide if you need to be tested. Keep in mind that there’s a chance — because of a lack of testing kits or because you’re asymptomatic, for instance — you won’t be able to get tested.
Not only did Mr. Davis learn from Ms. Molesworth — she helped upgrade the HVAC and security to make the Underground safer for art — but she learned from him, namely that she could use MOCA’s collection differently.Not only did Mr. Davis learn from Ms. Molesworth — she helped upgrade the HVAC and security to make the Underground safer for art — but she learned from him, namely that she could use MOCA’s collection differently.
“I was trying to tell a different story of 20th century art,” she added, “because MOCA had been such a white male institution.”“I was trying to tell a different story of 20th century art,” she added, “because MOCA had been such a white male institution.”
It didn’t take long for the Underground to come to the attention of celebrities. When the film director Barry Jenkins screened his movie “Moonlight” in the garden, he “was struck by what a diverse crowd it was — tons of black folks, ­people from the neighborhood, white, Latino, Asian,” he told W Magazine. “I thought, this is America.”It didn’t take long for the Underground to come to the attention of celebrities. When the film director Barry Jenkins screened his movie “Moonlight” in the garden, he “was struck by what a diverse crowd it was — tons of black folks, ­people from the neighborhood, white, Latino, Asian,” he told W Magazine. “I thought, this is America.”
The Underground also attracted art world luminaries like Ann Temkin, chief curator of painting and sculpture at the Museum of Modern Art; Thelma Golden, director of the Studio Museum in Harlem; and the artist Glenn Ligon.The Underground also attracted art world luminaries like Ann Temkin, chief curator of painting and sculpture at the Museum of Modern Art; Thelma Golden, director of the Studio Museum in Harlem; and the artist Glenn Ligon.
“What is it — artist project, kunsthalle, community hub, pop-up museum?” Mr. Ligon said. “It has a spirit and energy unlike other art spaces I’ve ever been to and once I was there I wanted to be part of it, even though I wasn’t sure what ‘it’ was.”“What is it — artist project, kunsthalle, community hub, pop-up museum?” Mr. Ligon said. “It has a spirit and energy unlike other art spaces I’ve ever been to and once I was there I wanted to be part of it, even though I wasn’t sure what ‘it’ was.”
Elizabeth Alexander, the poet and scholar who is president of the Andrew W. Mellon Foundation, which helps support the Underground, visits the museum every time she’s in Los Angeles — often going straight from the airport. “It’s always nourishing,” she said.Elizabeth Alexander, the poet and scholar who is president of the Andrew W. Mellon Foundation, which helps support the Underground, visits the museum every time she’s in Los Angeles — often going straight from the airport. “It’s always nourishing,” she said.
Jose Berber, who lives near the museum, said he “was very excited to attend a museum that wasn’t in Beverly Hills or in the Arts District.”Jose Berber, who lives near the museum, said he “was very excited to attend a museum that wasn’t in Beverly Hills or in the Arts District.”
“I felt like those spaces always lacked a voice that I could directly connect with and they were not readily accessible to people outside of those geographic locations,” Mr. Berber said. “The Underground has provided me a space to feel seen, heard, appreciated, and loved.”“I felt like those spaces always lacked a voice that I could directly connect with and they were not readily accessible to people outside of those geographic locations,” Mr. Berber said. “The Underground has provided me a space to feel seen, heard, appreciated, and loved.”
The success of the Noah Davis show in New York has also brought Mr. Davis, and by extension the Underground, more market attention.The success of the Noah Davis show in New York has also brought Mr. Davis, and by extension the Underground, more market attention.
David Zwirner, who now represents the Davis estate, said he has sold two pieces to major museums and has been fielding requests for acquisitions and exhibitions. Last month, Mr. Davis’s oil painting, “In Search of Gallerius Maximumianus,” sold at Phillips auction house for $400,000, five times the high estimate of $80,000. (As with most auction sales, the proceeds went only to the seller and Phillips; the museum supports itself through grants and donations.)David Zwirner, who now represents the Davis estate, said he has sold two pieces to major museums and has been fielding requests for acquisitions and exhibitions. Last month, Mr. Davis’s oil painting, “In Search of Gallerius Maximumianus,” sold at Phillips auction house for $400,000, five times the high estimate of $80,000. (As with most auction sales, the proceeds went only to the seller and Phillips; the museum supports itself through grants and donations.)
If he were still living, what would Mr. Davis say to all of this sudden commercial success? “He would say, ‘I told you so. What took y’all so long?’” Ms. Davis said, smiling. “He was a visionary and he knew it.”If he were still living, what would Mr. Davis say to all of this sudden commercial success? “He would say, ‘I told you so. What took y’all so long?’” Ms. Davis said, smiling. “He was a visionary and he knew it.”
Nevertheless, having the show of his work go on view at the Underground — whenever that does finally happen — is going to be undeniably poignant. “It’s a bit of a coming home,” Ms. Davis said. “Everyone is super excited about Noah coming home.”Nevertheless, having the show of his work go on view at the Underground — whenever that does finally happen — is going to be undeniably poignant. “It’s a bit of a coming home,” Ms. Davis said. “Everyone is super excited about Noah coming home.”