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The Fall of Autumn: Live Performance Producers Are Giving Up on 2020 The Fall of Autumn: Live Performance Producers Are Giving Up on 2020
(about 5 hours later)
In the world of performing arts, the coronavirus pandemic has already sunk summer. Now it is felling fall.In the world of performing arts, the coronavirus pandemic has already sunk summer. Now it is felling fall.
Even as reopened barbershops, beaches and bookstores herald the resumption of economic life across America, concert promoters, theater presenters, orchestras and dance companies are ripping up their 2020 calendars and hoping 2021 will mark a new beginning.Even as reopened barbershops, beaches and bookstores herald the resumption of economic life across America, concert promoters, theater presenters, orchestras and dance companies are ripping up their 2020 calendars and hoping 2021 will mark a new beginning.
“I think 2020 is gone,” said Anna D. Shapiro, the artistic director of Chicago’s storied Steppenwolf Theater Company. “I’ll be stunned if we’re back in the theater.”“I think 2020 is gone,” said Anna D. Shapiro, the artistic director of Chicago’s storied Steppenwolf Theater Company. “I’ll be stunned if we’re back in the theater.”
In pop music, the superstars Taylor Swift and Justin Bieber have canceled their performances this year, and there’s not much hope for other large events. “It doesn’t seem likely we are going to open in the fall,” said Jay Marciano, the chairman of AEG Presents, one of the industry’s biggest promoters.In pop music, the superstars Taylor Swift and Justin Bieber have canceled their performances this year, and there’s not much hope for other large events. “It doesn’t seem likely we are going to open in the fall,” said Jay Marciano, the chairman of AEG Presents, one of the industry’s biggest promoters.
Much of the professional theater world is following suit. Guthrie Theater, a prestigious nonprofit in Minneapolis, jolted the industry with its announcement that its next season, which was to feature 12 productions beginning in September, would be scaled back to three beginning next March.Much of the professional theater world is following suit. Guthrie Theater, a prestigious nonprofit in Minneapolis, jolted the industry with its announcement that its next season, which was to feature 12 productions beginning in September, would be scaled back to three beginning next March.
In South Carolina, Charleston Stage is delaying its next season until January, while in Utah, Pioneer Theater Company is aiming for February, and in California, Berkeley Repertory Theater plans to start in “late winter.”In South Carolina, Charleston Stage is delaying its next season until January, while in Utah, Pioneer Theater Company is aiming for February, and in California, Berkeley Repertory Theater plans to start in “late winter.”
“We won’t have programming this fall,” said Chris Coleman, the artistic director of the theater company at the Denver Center for the Performing Arts. “Part of it is the uncertainty of when it’s going to be safe to gather, and part of it is economic — we’ve thought about social distancing, but it makes zero economic sense.”“We won’t have programming this fall,” said Chris Coleman, the artistic director of the theater company at the Denver Center for the Performing Arts. “Part of it is the uncertainty of when it’s going to be safe to gather, and part of it is economic — we’ve thought about social distancing, but it makes zero economic sense.”
In the classical music and opera worlds, there is similar skepticism about reopening any time soon. “Everyone is looking to the fall with huge question marks and doubt,” said Marc A. Scorca, the president of Opera America, a trade organization. And Jesse Rosen, who leads the League of American Orchestras, said, “I sense that many are assuming the fall is not going to be the start time.”In the classical music and opera worlds, there is similar skepticism about reopening any time soon. “Everyone is looking to the fall with huge question marks and doubt,” said Marc A. Scorca, the president of Opera America, a trade organization. And Jesse Rosen, who leads the League of American Orchestras, said, “I sense that many are assuming the fall is not going to be the start time.”
Leading companies in dance are also focused on next year. L.A. Dance Project, led by Benjamin Millepied, is planning no further live performances this year; neither is the Mark Morris Dance Group in New York. “I am 100 percent confident that it is not happening,” said Nancy Umanoff, Mark Morris’s executive director. For many dance companies, that means giving up on lucrative holiday season performances of “The Nutcracker,” a crucial best seller that, for example, brings in 45 percent of New York City Ballet’s annual ticket sales.Leading companies in dance are also focused on next year. L.A. Dance Project, led by Benjamin Millepied, is planning no further live performances this year; neither is the Mark Morris Dance Group in New York. “I am 100 percent confident that it is not happening,” said Nancy Umanoff, Mark Morris’s executive director. For many dance companies, that means giving up on lucrative holiday season performances of “The Nutcracker,” a crucial best seller that, for example, brings in 45 percent of New York City Ballet’s annual ticket sales.
The country’s biggest stages have yet to declare their plans, but they are rapidly reaching a consensus on a go-slow approach, even if they receive government permission to reopen. At their scale, it is even more difficult to protect patrons when seats are tightly packed and there are choke points at entrances, lobbies, aisles, concession stands and restrooms. Backstage quarters are typically cramped, and productions often involve intimate onstage action and aerosolized respiratory droplets. (Momma Rose’s famous exhortation in “Gypsy,” “Sing out, Louise!,” suddenly seems epidemiologically problematic.)The country’s biggest stages have yet to declare their plans, but they are rapidly reaching a consensus on a go-slow approach, even if they receive government permission to reopen. At their scale, it is even more difficult to protect patrons when seats are tightly packed and there are choke points at entrances, lobbies, aisles, concession stands and restrooms. Backstage quarters are typically cramped, and productions often involve intimate onstage action and aerosolized respiratory droplets. (Momma Rose’s famous exhortation in “Gypsy,” “Sing out, Louise!,” suddenly seems epidemiologically problematic.)
Henry Timms, president of Lincoln Center in New York, said he hopes for performances on the center’s sizable outdoor plaza as soon as that is allowed. But what about watching ballet, opera, symphony and theater indoors? “It’s very hard right now to see a path to anything which looks like the traditional fall season,” he said, “absent some material change, from a medical perspective, in the world at large.”Henry Timms, president of Lincoln Center in New York, said he hopes for performances on the center’s sizable outdoor plaza as soon as that is allowed. But what about watching ballet, opera, symphony and theater indoors? “It’s very hard right now to see a path to anything which looks like the traditional fall season,” he said, “absent some material change, from a medical perspective, in the world at large.”
Similarly, Deborah F. Rutter, president of the Kennedy Center in Washington, said one option she is considering is inviting artists to present work in small indoor venues separated by glass from outdoor audiences. But, she said, “It’s going to be a long time before we’re back to something that looks like the new normal.”Similarly, Deborah F. Rutter, president of the Kennedy Center in Washington, said one option she is considering is inviting artists to present work in small indoor venues separated by glass from outdoor audiences. But, she said, “It’s going to be a long time before we’re back to something that looks like the new normal.”
Broadway has already canceled performances through Labor Day; industry leaders widely believe January is the earliest likely reopening date, although a handful of producers are holding out hope for squeezing in a holiday show before then, and big-name tours might try to start sooner in cities with few coronavirus cases.Broadway has already canceled performances through Labor Day; industry leaders widely believe January is the earliest likely reopening date, although a handful of producers are holding out hope for squeezing in a holiday show before then, and big-name tours might try to start sooner in cities with few coronavirus cases.
One indication of how Broadway producers are thinking: two high-profile productions that had been set for Broadway this spring and summer, a bio-musical about Michael Jackson and a revival of “Plaza Suite” starring Sarah Jessica Parker and Matthew Broderick, recently announced they are leapfrogging autumn and winter and planning to try again next spring.One indication of how Broadway producers are thinking: two high-profile productions that had been set for Broadway this spring and summer, a bio-musical about Michael Jackson and a revival of “Plaza Suite” starring Sarah Jessica Parker and Matthew Broderick, recently announced they are leapfrogging autumn and winter and planning to try again next spring.
“If we go back to work too soon, and a theater anywhere becomes a hot spot, that is going to set the whole industry back,” said Mary McColl, the executive director of Actors’ Equity Association, a labor union that has barred its members from in-person auditions, rehearsals, or performances and expects this week to outline conditions it believes must be met before reopening. “Who knows what miracle might come down the pike, but certainly I don’t think there’s going to be large theater here in New York City soon,” she said. “And it seems more likely next calendar year.”“If we go back to work too soon, and a theater anywhere becomes a hot spot, that is going to set the whole industry back,” said Mary McColl, the executive director of Actors’ Equity Association, a labor union that has barred its members from in-person auditions, rehearsals, or performances and expects this week to outline conditions it believes must be met before reopening. “Who knows what miracle might come down the pike, but certainly I don’t think there’s going to be large theater here in New York City soon,” she said. “And it seems more likely next calendar year.”
Coachella, by far the most influential pop festival, has moved its April dates to October. Paul Tollett, the promoter behind Coachella, declined to comment about the plans for the festival, which is held in Indio, Calif. But many in the industry expect it to be delayed again.Coachella, by far the most influential pop festival, has moved its April dates to October. Paul Tollett, the promoter behind Coachella, declined to comment about the plans for the festival, which is held in Indio, Calif. But many in the industry expect it to be delayed again.
And what about concert tours? Joe Berchtold, the president of Live Nation Entertainment, the pop industry’s dominant power, said those decisions would depend on the availability of a vaccine or testing protocols. “While we think that phenomenal strides are being made in both cases,” Mr. Berchtold said, “given the lead time involved in planning major concert tours, and the uncertainties that exist today, we don’t expect a large volume of major tours in the fall.”And what about concert tours? Joe Berchtold, the president of Live Nation Entertainment, the pop industry’s dominant power, said those decisions would depend on the availability of a vaccine or testing protocols. “While we think that phenomenal strides are being made in both cases,” Mr. Berchtold said, “given the lead time involved in planning major concert tours, and the uncertainties that exist today, we don’t expect a large volume of major tours in the fall.”
Others are even less optimistic. Talent agents, who once hoped to bump their spring and summer tours to the fall, are now looking down the road a year or more. “For the artists we represent, we believe it’s safer to move to 2021,” said Rick Roskin, an agent at the Creative Artists Agency.Others are even less optimistic. Talent agents, who once hoped to bump their spring and summer tours to the fall, are now looking down the road a year or more. “For the artists we represent, we believe it’s safer to move to 2021,” said Rick Roskin, an agent at the Creative Artists Agency.
Cultural life, of course, will continue. Museums are reopening. Film and television production is starting, if haltingly. And many performing artists and arts organizations have pivoted to livestreaming, attempting, with varying degrees of sophistication and success, to continue both creating and connecting.Cultural life, of course, will continue. Museums are reopening. Film and television production is starting, if haltingly. And many performing artists and arts organizations have pivoted to livestreaming, attempting, with varying degrees of sophistication and success, to continue both creating and connecting.
Smaller venues, particularly in regions with few coronavirus cases, are finding ways to persist. In Arkansas, the country musician Travis McCready played a gig last week in a former Masonic Hall that put only 20 percent of its 1,100 seats on sale, and live music is resuming in some bars and parking lots. In Utah, the Parker Theater is midway through a run of a coronavirus comedy in which actors perform, one by one, on raised platforms; to reduce bathroom visits, there is no intermission.Smaller venues, particularly in regions with few coronavirus cases, are finding ways to persist. In Arkansas, the country musician Travis McCready played a gig last week in a former Masonic Hall that put only 20 percent of its 1,100 seats on sale, and live music is resuming in some bars and parking lots. In Utah, the Parker Theater is midway through a run of a coronavirus comedy in which actors perform, one by one, on raised platforms; to reduce bathroom visits, there is no intermission.
“It’s going to be organizations with 50 seats or 25 seats that will be innovating,” said Molly Smith, the artistic director of Arena Stage in Washington. “That’s how we’re going to learn.”“It’s going to be organizations with 50 seats or 25 seats that will be innovating,” said Molly Smith, the artistic director of Arena Stage in Washington. “That’s how we’re going to learn.”
Some sizable nonprofits are bucking the trend and gamely talking about at least attempting a summer or fall reopening, with all kinds of precautions in place.Some sizable nonprofits are bucking the trend and gamely talking about at least attempting a summer or fall reopening, with all kinds of precautions in place.
“We think it’s important for the community to try to make it work,” said Dean R. Gladden, the managing director of Houston’s Alley Theater. And Robert Falls, the artistic director of Chicago’s Goodman Theater, said he has four shows ready to go, and that “we’re cautiously optimistic, or maybe completely optimistic” about restarting in October.“We think it’s important for the community to try to make it work,” said Dean R. Gladden, the managing director of Houston’s Alley Theater. And Robert Falls, the artistic director of Chicago’s Goodman Theater, said he has four shows ready to go, and that “we’re cautiously optimistic, or maybe completely optimistic” about restarting in October.
Updated June 16, 2020Updated June 16, 2020
The steroid, dexamethasone, is the first treatment shown to reduce mortality in severely ill patients, according to scientists in Britain. The drug appears to reduce inflammation caused by the immune system, protecting the tissues. In the study, dexamethasone reduced deaths of patients on ventilators by one-third, and deaths of patients on oxygen by one-fifth.
The coronavirus emergency relief package gives many American workers paid leave if they need to take time off because of the virus. It gives qualified workers two weeks of paid sick leave if they are ill, quarantined or seeking diagnosis or preventive care for coronavirus, or if they are caring for sick family members. It gives 12 weeks of paid leave to people caring for children whose schools are closed or whose child care provider is unavailable because of the coronavirus. It is the first time the United States has had widespread federally mandated paid leave, and includes people who don’t typically get such benefits, like part-time and gig economy workers. But the measure excludes at least half of private-sector workers, including those at the country’s largest employers, and gives small employers significant leeway to deny leave.The coronavirus emergency relief package gives many American workers paid leave if they need to take time off because of the virus. It gives qualified workers two weeks of paid sick leave if they are ill, quarantined or seeking diagnosis or preventive care for coronavirus, or if they are caring for sick family members. It gives 12 weeks of paid leave to people caring for children whose schools are closed or whose child care provider is unavailable because of the coronavirus. It is the first time the United States has had widespread federally mandated paid leave, and includes people who don’t typically get such benefits, like part-time and gig economy workers. But the measure excludes at least half of private-sector workers, including those at the country’s largest employers, and gives small employers significant leeway to deny leave.
So far, the evidence seems to show it does. A widely cited paper published in April suggests that people are most infectious about two days before the onset of coronavirus symptoms and estimated that 44 percent of new infections were a result of transmission from people who were not yet showing symptoms. Recently, a top expert at the World Health Organization stated that transmission of the coronavirus by people who did not have symptoms was “very rare,” but she later walked back that statement.So far, the evidence seems to show it does. A widely cited paper published in April suggests that people are most infectious about two days before the onset of coronavirus symptoms and estimated that 44 percent of new infections were a result of transmission from people who were not yet showing symptoms. Recently, a top expert at the World Health Organization stated that transmission of the coronavirus by people who did not have symptoms was “very rare,” but she later walked back that statement.
Touching contaminated objects and then infecting ourselves with the germs is not typically how the virus spreads. But it can happen. A number of studies of flu, rhinovirus, coronavirus and other microbes have shown that respiratory illnesses, including the new coronavirus, can spread by touching contaminated surfaces, particularly in places like day care centers, offices and hospitals. But a long chain of events has to happen for the disease to spread that way. The best way to protect yourself from coronavirus — whether it’s surface transmission or close human contact — is still social distancing, washing your hands, not touching your face and wearing masks.Touching contaminated objects and then infecting ourselves with the germs is not typically how the virus spreads. But it can happen. A number of studies of flu, rhinovirus, coronavirus and other microbes have shown that respiratory illnesses, including the new coronavirus, can spread by touching contaminated surfaces, particularly in places like day care centers, offices and hospitals. But a long chain of events has to happen for the disease to spread that way. The best way to protect yourself from coronavirus — whether it’s surface transmission or close human contact — is still social distancing, washing your hands, not touching your face and wearing masks.
A study by European scientists is the first to document a strong statistical link between genetic variations and Covid-19, the illness caused by the coronavirus. Having Type A blood was linked to a 50 percent increase in the likelihood that a patient would need to get oxygen or to go on a ventilator, according to the new study.A study by European scientists is the first to document a strong statistical link between genetic variations and Covid-19, the illness caused by the coronavirus. Having Type A blood was linked to a 50 percent increase in the likelihood that a patient would need to get oxygen or to go on a ventilator, according to the new study.
The unemployment rate fell to 13.3 percent in May, the Labor Department said on June 5, an unexpected improvement in the nation’s job market as hiring rebounded faster than economists expected. Economists had forecast the unemployment rate to increase to as much as 20 percent, after it hit 14.7 percent in April, which was the highest since the government began keeping official statistics after World War II. But the unemployment rate dipped instead, with employers adding 2.5 million jobs, after more than 20 million jobs were lost in April.The unemployment rate fell to 13.3 percent in May, the Labor Department said on June 5, an unexpected improvement in the nation’s job market as hiring rebounded faster than economists expected. Economists had forecast the unemployment rate to increase to as much as 20 percent, after it hit 14.7 percent in April, which was the highest since the government began keeping official statistics after World War II. But the unemployment rate dipped instead, with employers adding 2.5 million jobs, after more than 20 million jobs were lost in April.
Mass protests against police brutality that have brought thousands of people onto the streets in cities across America are raising the specter of new coronavirus outbreaks, prompting political leaders, physicians and public health experts to warn that the crowds could cause a surge in cases. While many political leaders affirmed the right of protesters to express themselves, they urged the demonstrators to wear face masks and maintain social distancing, both to protect themselves and to prevent further community spread of the virus. Some infectious disease experts were reassured by the fact that the protests were held outdoors, saying the open air settings could mitigate the risk of transmission.Mass protests against police brutality that have brought thousands of people onto the streets in cities across America are raising the specter of new coronavirus outbreaks, prompting political leaders, physicians and public health experts to warn that the crowds could cause a surge in cases. While many political leaders affirmed the right of protesters to express themselves, they urged the demonstrators to wear face masks and maintain social distancing, both to protect themselves and to prevent further community spread of the virus. Some infectious disease experts were reassured by the fact that the protests were held outdoors, saying the open air settings could mitigate the risk of transmission.
States are reopening bit by bit. This means that more public spaces are available for use and more and more businesses are being allowed to open again. The federal government is largely leaving the decision up to states, and some state leaders are leaving the decision up to local authorities. Even if you aren’t being told to stay at home, it’s still a good idea to limit trips outside and your interaction with other people.States are reopening bit by bit. This means that more public spaces are available for use and more and more businesses are being allowed to open again. The federal government is largely leaving the decision up to states, and some state leaders are leaving the decision up to local authorities. Even if you aren’t being told to stay at home, it’s still a good idea to limit trips outside and your interaction with other people.
Common symptoms include fever, a dry cough, fatigue and difficulty breathing or shortness of breath. Some of these symptoms overlap with those of the flu, making detection difficult, but runny noses and stuffy sinuses are less common. The C.D.C. has also added chills, muscle pain, sore throat, headache and a new loss of the sense of taste or smell as symptoms to look out for. Most people fall ill five to seven days after exposure, but symptoms may appear in as few as two days or as many as 14 days.Common symptoms include fever, a dry cough, fatigue and difficulty breathing or shortness of breath. Some of these symptoms overlap with those of the flu, making detection difficult, but runny noses and stuffy sinuses are less common. The C.D.C. has also added chills, muscle pain, sore throat, headache and a new loss of the sense of taste or smell as symptoms to look out for. Most people fall ill five to seven days after exposure, but symptoms may appear in as few as two days or as many as 14 days.
If air travel is unavoidable, there are some steps you can take to protect yourself. Most important: Wash your hands often, and stop touching your face. If possible, choose a window seat. A study from Emory University found that during flu season, the safest place to sit on a plane is by a window, as people sitting in window seats had less contact with potentially sick people. Disinfect hard surfaces. When you get to your seat and your hands are clean, use disinfecting wipes to clean the hard surfaces at your seat like the head and arm rest, the seatbelt buckle, the remote, screen, seat back pocket and the tray table. If the seat is hard and nonporous or leather or pleather, you can wipe that down, too. (Using wipes on upholstered seats could lead to a wet seat and spreading of germs rather than killing them.)If air travel is unavoidable, there are some steps you can take to protect yourself. Most important: Wash your hands often, and stop touching your face. If possible, choose a window seat. A study from Emory University found that during flu season, the safest place to sit on a plane is by a window, as people sitting in window seats had less contact with potentially sick people. Disinfect hard surfaces. When you get to your seat and your hands are clean, use disinfecting wipes to clean the hard surfaces at your seat like the head and arm rest, the seatbelt buckle, the remote, screen, seat back pocket and the tray table. If the seat is hard and nonporous or leather or pleather, you can wipe that down, too. (Using wipes on upholstered seats could lead to a wet seat and spreading of germs rather than killing them.)
Taking one’s temperature to look for signs of fever is not as easy as it sounds, as “normal” temperature numbers can vary, but generally, keep an eye out for a temperature of 100.5 degrees Fahrenheit or higher. If you don’t have a thermometer (they can be pricey these days), there are other ways to figure out if you have a fever, or are at risk of Covid-19 complications.Taking one’s temperature to look for signs of fever is not as easy as it sounds, as “normal” temperature numbers can vary, but generally, keep an eye out for a temperature of 100.5 degrees Fahrenheit or higher. If you don’t have a thermometer (they can be pricey these days), there are other ways to figure out if you have a fever, or are at risk of Covid-19 complications.
The C.D.C. has recommended that all Americans wear cloth masks if they go out in public. This is a shift in federal guidance reflecting new concerns that the coronavirus is being spread by infected people who have no symptoms. Until now, the C.D.C., like the W.H.O., has advised that ordinary people don’t need to wear masks unless they are sick and coughing. Part of the reason was to preserve medical-grade masks for health care workers who desperately need them at a time when they are in continuously short supply. Masks don’t replace hand washing and social distancing.The C.D.C. has recommended that all Americans wear cloth masks if they go out in public. This is a shift in federal guidance reflecting new concerns that the coronavirus is being spread by infected people who have no symptoms. Until now, the C.D.C., like the W.H.O., has advised that ordinary people don’t need to wear masks unless they are sick and coughing. Part of the reason was to preserve medical-grade masks for health care workers who desperately need them at a time when they are in continuously short supply. Masks don’t replace hand washing and social distancing.
If you’ve been exposed to the coronavirus or think you have, and have a fever or symptoms like a cough or difficulty breathing, call a doctor. They should give you advice on whether you should be tested, how to get tested, and how to seek medical treatment without potentially infecting or exposing others.If you’ve been exposed to the coronavirus or think you have, and have a fever or symptoms like a cough or difficulty breathing, call a doctor. They should give you advice on whether you should be tested, how to get tested, and how to seek medical treatment without potentially infecting or exposing others.
If you’re sick and you think you’ve been exposed to the new coronavirus, the C.D.C. recommends that you call your healthcare provider and explain your symptoms and fears. They will decide if you need to be tested. Keep in mind that there’s a chance — because of a lack of testing kits or because you’re asymptomatic, for instance — you won’t be able to get tested.If you’re sick and you think you’ve been exposed to the new coronavirus, the C.D.C. recommends that you call your healthcare provider and explain your symptoms and fears. They will decide if you need to be tested. Keep in mind that there’s a chance — because of a lack of testing kits or because you’re asymptomatic, for instance — you won’t be able to get tested.
As venues do open, expect fewer intermissions, digital-only ticketing, and more rules about entering and exiting. “The airline industry has become adept at loading people by zones,” said Hillary J. Hart, executive director of Houston’s Theater Under the Stars. “Could you do that in a theater?”As venues do open, expect fewer intermissions, digital-only ticketing, and more rules about entering and exiting. “The airline industry has become adept at loading people by zones,” said Hillary J. Hart, executive director of Houston’s Theater Under the Stars. “Could you do that in a theater?”
Orchestras are discussing relying more on string players, since those musicians can perform in masks. The Washington Ballet is thinking about placing its dancers in quarantine together.Orchestras are discussing relying more on string players, since those musicians can perform in masks. The Washington Ballet is thinking about placing its dancers in quarantine together.
Some, like Chicago Shakespeare Theater, hope to reconfigure flexible indoor spaces. Others, in warmer climes, hope to do more work outdoors. “We’re fortunate to be in L.A., where we have better weather,” said Meghan Pressman, managing director of the Center Theater Group.Some, like Chicago Shakespeare Theater, hope to reconfigure flexible indoor spaces. Others, in warmer climes, hope to do more work outdoors. “We’re fortunate to be in L.A., where we have better weather,” said Meghan Pressman, managing director of the Center Theater Group.
But audiences will have to play their part too. “You could have a sparkling, brand-new, disinfected event space, and if you bring a herd of noncompliant patrons into the venue, people will still get sick,” said Steven A. Adelman, vice president of the Event Safety Alliance.But audiences will have to play their part too. “You could have a sparkling, brand-new, disinfected event space, and if you bring a herd of noncompliant patrons into the venue, people will still get sick,” said Steven A. Adelman, vice president of the Event Safety Alliance.
Some orchestras hope to stage socially distanced, reduced-ensemble concerts for small audiences as soon as this summer; in August, the St. Louis Symphony hopes to begin with what its chief executive, Marie-Hélène Bernard, called “very small live experiences.”Some orchestras hope to stage socially distanced, reduced-ensemble concerts for small audiences as soon as this summer; in August, the St. Louis Symphony hopes to begin with what its chief executive, Marie-Hélène Bernard, called “very small live experiences.”
But social distancing is divisive — many organizations view it as impractical, either for economic or philosophical reasons.But social distancing is divisive — many organizations view it as impractical, either for economic or philosophical reasons.
“An audience that is scattered that much isn’t an audience, it’s disassociated observers,” said Michael Ritchie, the Center Theater Group artistic director.“An audience that is scattered that much isn’t an audience, it’s disassociated observers,” said Michael Ritchie, the Center Theater Group artistic director.
The Metropolitan Opera, which ordinarily can hold nearly 4,000 people, says it would be able to seat an audience of 400 if it introduces social distancing, making its already delicate financial model untenable. “I can’t imagine any scenario in which performances can take place at the Met when social distancing is still a factor,” said Peter Gelb, the opera’s general manager.The Metropolitan Opera, which ordinarily can hold nearly 4,000 people, says it would be able to seat an audience of 400 if it introduces social distancing, making its already delicate financial model untenable. “I can’t imagine any scenario in which performances can take place at the Met when social distancing is still a factor,” said Peter Gelb, the opera’s general manager.
And Perryn Leech, the managing director of Houston Grand Opera, said: “At some point, if you’re putting out a vastly inferior product to a few hundred people, are you, for the long-term viability of your institution, better off going away for a period of time?”And Perryn Leech, the managing director of Houston Grand Opera, said: “At some point, if you’re putting out a vastly inferior product to a few hundred people, are you, for the long-term viability of your institution, better off going away for a period of time?”
Are audiences even ready? Social scientists are in overdrive trying to determine under what conditions fans might be willing to return. There are multiple ongoing efforts to survey arts and culture audiences; initial reports find considerable wariness.Are audiences even ready? Social scientists are in overdrive trying to determine under what conditions fans might be willing to return. There are multiple ongoing efforts to survey arts and culture audiences; initial reports find considerable wariness.
“None of us knows how soon audiences will feel ready to come back,” said Barry Edelstein, artistic director of San Diego’s Old Globe. “What happens on the first night back when some guy in Row G coughs? Do we have to escort him to an ambulance?”“None of us knows how soon audiences will feel ready to come back,” said Barry Edelstein, artistic director of San Diego’s Old Globe. “What happens on the first night back when some guy in Row G coughs? Do we have to escort him to an ambulance?”
With all that uncertainty, large organizations are drafting plans for a variety of scenarios, even as most of them are now focusing on resumption early next year. More optimistic: mount a show by Thanksgiving to capture at least some holiday revenue. More pessimistic: cancel the entire season and start fresh next summer.With all that uncertainty, large organizations are drafting plans for a variety of scenarios, even as most of them are now focusing on resumption early next year. More optimistic: mount a show by Thanksgiving to capture at least some holiday revenue. More pessimistic: cancel the entire season and start fresh next summer.
“There’s a balancing act,” said Christopher Ashley, the artistic director at San Diego’s La Jolla Playhouse, “between trying to stay hopeful and being realistic.”“There’s a balancing act,” said Christopher Ashley, the artistic director at San Diego’s La Jolla Playhouse, “between trying to stay hopeful and being realistic.”