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| How hard is it to photograph a wedding? | How hard is it to photograph a wedding? |
| (19 minutes later) | |
| A couple have successfully sued their wedding photographer for his shoddy coverage of their big day. Anyone can point a camera at a happy couple, but what pitfalls do the professionals face? | A couple have successfully sued their wedding photographer for his shoddy coverage of their big day. Anyone can point a camera at a happy couple, but what pitfalls do the professionals face? |
| The Days' happy day... but they were less than happy with the photos | The Days' happy day... but they were less than happy with the photos |
| The memorable shots from Marc and Sylvia Day's wedding are unusual, to say the least. Decapitated guests, a ceremony hardly visible through the gloom, and random close-ups of... not the bouquet, or a snatched kiss, but of carriage wheels. | The memorable shots from Marc and Sylvia Day's wedding are unusual, to say the least. Decapitated guests, a ceremony hardly visible through the gloom, and random close-ups of... not the bouquet, or a snatched kiss, but of carriage wheels. |
| The three-year-old bridesmaid - caught in one snap without her clothes on - could have done a better job. | The three-year-old bridesmaid - caught in one snap without her clothes on - could have done a better job. |
| The Days were so upset that they took their photographer to court for breach of contract over the £1,450 photo and video package. | The Days were so upset that they took their photographer to court for breach of contract over the £1,450 photo and video package. |
| But how hard can it be to get great shots at a happy occasion, where everyone is dressed up in picturesque locations? Most guests bring along their own cameras, after all. | But how hard can it be to get great shots at a happy occasion, where everyone is dressed up in picturesque locations? Most guests bring along their own cameras, after all. |
| Harder than it looks, says Paul Cudmore, a past winner of Wedding Photographer of the Year, who has been in the business for 18 years. | Harder than it looks, says Paul Cudmore, a past winner of Wedding Photographer of the Year, who has been in the business for 18 years. |
| "It's all about emotions and capturing emotions. And obviously you've got to look out for vans driving past in the background." | "It's all about emotions and capturing emotions. And obviously you've got to look out for vans driving past in the background." |
| The secret is in the planning - knowing what the bride and groom want, who will be there, where the best locations are. | The secret is in the planning - knowing what the bride and groom want, who will be there, where the best locations are. |
| Then there are the timings. | Then there are the timings. |
| A guest told me that at the last wedding she went to, the photographers were blowing whistles at them Paul Cudmore | A guest told me that at the last wedding she went to, the photographers were blowing whistles at them Paul Cudmore |
| "Brides are always late arriving, so you have perhaps four or five minutes to get shots you'd normally spend an hour on. | "Brides are always late arriving, so you have perhaps four or five minutes to get shots you'd normally spend an hour on. |
| "And brides and grooms - most of whom haven't been married before - don't realise that it can take quarter of an hour for people to leave the church and assemble for photos. I've had reception venues phoning me to ask where everyone is." | "And brides and grooms - most of whom haven't been married before - don't realise that it can take quarter of an hour for people to leave the church and assemble for photos. I've had reception venues phoning me to ask where everyone is." |
| Most tricky of all is the group shot most couples want, if not for themselves, then for Mum and Dad, Auntie Mabel, and their grandparents. | Most tricky of all is the group shot most couples want, if not for themselves, then for Mum and Dad, Auntie Mabel, and their grandparents. |
| To get that many people to stand in the right place, to look in the right direction - and to smile at the right time - can be like herding cats. | To get that many people to stand in the right place, to look in the right direction - and to smile at the right time - can be like herding cats. |
| "It's all about communication, making the guests and the wedding party feel relaxed and happy," says Mr Cudmore. "At one wedding, a guest told me that at the last wedding she went to, the photographers were blowing whistles at them." | "It's all about communication, making the guests and the wedding party feel relaxed and happy," says Mr Cudmore. "At one wedding, a guest told me that at the last wedding she went to, the photographers were blowing whistles at them." |
| Sylvia Day inside the church | Sylvia Day inside the church |
| Neil Thayer, a wedding photographer based in Bath, says it's the photographer's job to keep everyone happy. | Neil Thayer, a wedding photographer based in Bath, says it's the photographer's job to keep everyone happy. |
| "It's like getting all your family together at Christmas - some people don't get on, there are husbands and wives who have split up and come together for this big set-piece. There can be a lot of tension. On one job I was on, there was very nearly a fight." | "It's like getting all your family together at Christmas - some people don't get on, there are husbands and wives who have split up and come together for this big set-piece. There can be a lot of tension. On one job I was on, there was very nearly a fight." |
| And even if fisticuffs aren't on the horizon, many of those being photographed simply want to crack on with the celebrating. They complain that the photos are taking too long, and itch to get off to the bar. | And even if fisticuffs aren't on the horizon, many of those being photographed simply want to crack on with the celebrating. They complain that the photos are taking too long, and itch to get off to the bar. |
| How does Mr Thayer keep things moving along, and still get the right shots? "I never stop talking to people, even if it's making silly jokes. I always make sure I work with the ushers, and know their names - because they will know the names of the people I don't." | How does Mr Thayer keep things moving along, and still get the right shots? "I never stop talking to people, even if it's making silly jokes. I always make sure I work with the ushers, and know their names - because they will know the names of the people I don't." |
| Camera trouble | Camera trouble |
| Then there are the naturalistic reportage shots popular with couples today. The only trouble is, people often freeze when they sense a camera lens pointing in their direction. | Then there are the naturalistic reportage shots popular with couples today. The only trouble is, people often freeze when they sense a camera lens pointing in their direction. |
| "They stop, crack a smile, then say 'Are you finished?' I say yes, they breathe a sigh of relief, relax, and start talking and laughing again. I keep shooting," says Mr Thayer. | |
| There's more to it than fancy kit | There's more to it than fancy kit |
| Both live in fear of mechanical failure, whether it's a camera card corrupting (which happened once to Mr Cudmore) or car trouble (Mr Thayer locked his keys in the boot and almost missed the reception). | |
| "I always take two cameras and three or four lenses," says Mr Thayer. | |
| "You've got to have back-up kit - I always take double. And I always pack a needlework kit in my bag in case of accidents," adds Mr Cudmore, who often finds himself helping to tie cravats and advising relatives on which side of the church to sit. | "You've got to have back-up kit - I always take double. And I always pack a needlework kit in my bag in case of accidents," adds Mr Cudmore, who often finds himself helping to tie cravats and advising relatives on which side of the church to sit. |
| And if there are small children involved? | And if there are small children involved? |
| "So many people tell them 'you've got to be good, you've got to smile'. Then these little four and five-year-olds build up this big worry. I tell them 'we're going to have lots of fun, the bride will look like a princess and you'll be helping her'." | "So many people tell them 'you've got to be good, you've got to smile'. Then these little four and five-year-olds build up this big worry. I tell them 'we're going to have lots of fun, the bride will look like a princess and you'll be helping her'." |
| His advice for choosing a photographer for the big day? "Look at their portfolio and make sure it is all their own work." | His advice for choosing a photographer for the big day? "Look at their portfolio and make sure it is all their own work." |
| Add your comments on this story, using the form below. | Add your comments on this story, using the form below. |
| The BBC may edit your comments and not all emails will be published. Your comments may be published on any BBC media worldwide. Terms & Conditions | The BBC may edit your comments and not all emails will be published. Your comments may be published on any BBC media worldwide. Terms & Conditions |