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Ngugi wa Thiong’o, Writer Who Condemned Colonists and Elites, Dies at 87 Ngugi wa Thiong’o, Writer Who Condemned Colonists and Elites, Dies at 87
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Ngugi wa Thiong’o, a groundbreaking novelist, playwright and memoirist whose writings explored the iniquities and ambiguities of colonialism in his native Kenya as much as the misdoings of the postcolonial elite, and who led a passionate campaign for African authors to eschew the languages of foreign occupiers, died on Wednesday in a hospital in Buford, Ga. He was 87. Ngugi wa Thiong’o, a groundbreaking novelist, playwright and memoirist whose writings explored the iniquities and ambiguities of colonialism in his native Kenya as much as the misdoings of the postcolonial elite, and who led a passionate campaign for African authors to eschew the languages of foreign occupiers, died on Wednesday in Buford, Ga. He was 87.
His son Nducu confirmed the death. His son Nducu confirmed the death, in a hospital. He did not specify a cause.
Often tipped as a potential Nobel laureate, Mr. Ngugi (pronounced GOO-ghee) spent many years in exile to avoid the wrath of a government he criticized. For several decades, he taught comparative literature and English as a professor at the University of California, Irvine. His work inspired successive generations of African writers along with contemporaries such as Chinua Achebe and Wole Soyinka, both of Nigeria. Often tipped as a potential Nobel laureate, Mr. Ngugi (pronounced GOO-ghee) spent many years in exile to avoid the wrath of a government he criticized. For several decades, he taught comparative literature and English as a professor at the University of California, Irvine. His work inspired successive generations of African writers, along with contemporaries like Chinua Achebe and Wole Soyinka, both of Nigeria.
His canon drew enthusiastic praise, including for his debut novel, “Weep Not, Child,” in 1964. It is the story of Kenyan brothers whose family must confront the challenges of the Mau Mau rebellion against British rule. The book has been described as the first major novel in English by an East African author. His canon drew enthusiastic praise, beginning with his debut novel, “Weep Not, Child,” in 1964. It is the story of Kenyan brothers whose family must confront the challenges of the Mau Mau rebellion against British rule. The book has been called the first major novel in English by an East African author.
By contrast, “Devil on the Cross” in 1980, composed in his native tongue as “Caitaani Mutharaba-Ini,” was regarded as the first modern novel in the Gikuyu language, spoken by the country’s largest ethnic group, the Kikuyu. The book, about thieves who vie for supremacy by stealing from the people, sent him on a career writing in his own language and subsequently translating his work into English. By contrast, “Devil on the Cross,” published in 1980 and composed in his native tongue as “Caitaani Mutharaba-Ini,” is regarded as the first modern novel in the Gikuyu language, spoken by the country’s largest ethnic group, the Kikuyu. The book, about thieves who vie for supremacy by stealing from the people, sent Mr. Ngugi on a career writing in his own language and subsequently translating his work into English.
He wrote “Devil on the Cross” on prison toilet paper while detained by Kenyan authorities for a year without trial because of a play he wrote. In a New York Times review in 2018, the writer Ariel Dorfman said the book was a “narrative of the devilish temptations he faced and the ruses used to thwart his jailers as he sat writing night after night in his cell.” The novel “shows Ngugi in full command of his craft,” Mr. Dorfman wrote. He wrote “Devil on the Cross” on prison toilet paper while detained by Kenyan authorities for a year without trial because of a play he wrote. Writing in The New York Times Book Review in 2018, the author Ariel Dorfman said the book was a “narrative of the devilish temptations he faced and the ruses used to thwart his jailers as he sat writing night after night in his cell.” The novel, Mr. Dorfman wrote, “shows Ngugi in full command of his craft.”