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| Why does Everybody Hurt? | Why does Everybody Hurt? |
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| Stars including Kylie Minogue, Take That and Mariah Carey are recording REM's Everybody Hurts as a charity single for Haiti. But what is the original song about, and why is it associated with suicide? | Stars including Kylie Minogue, Take That and Mariah Carey are recording REM's Everybody Hurts as a charity single for Haiti. But what is the original song about, and why is it associated with suicide? |
| It started out as a song to comfort "younger people", and the attempt to make it accessible to someone "who hasn't been to college" has made it applicable in all kinds of situations. | It started out as a song to comfort "younger people", and the attempt to make it accessible to someone "who hasn't been to college" has made it applicable in all kinds of situations. |
| SONG STATS Written by REM (Stipe and Bill Berry pictured above)From 8th album Automatic For The PeopleUK number seven (April 1993)Number three 'Song to listen to when depressed' (6Music poll, 2004)Number two 'Gen X funeral song' (Bereavement Register, 1993)Number one 'Cry-Pod song' (Poll for Irish radio station RTE, 2007) Robbie and Kylie for Haiti single | |
| Everybody Hurts is not a typical REM song. For one thing, you can hear all of singer-songwriter Michael Stipe's words. More importantly, it's immediately obvious what they mean: don't give up. | Everybody Hurts is not a typical REM song. For one thing, you can hear all of singer-songwriter Michael Stipe's words. More importantly, it's immediately obvious what they mean: don't give up. |
| And so the song has had a much more varied and exposed life than most of REM's output, even before the imminent celeb-carousel rendition. | And so the song has had a much more varied and exposed life than most of REM's output, even before the imminent celeb-carousel rendition. |
| It was, for example, the first song played by Radio 1 after the two minutes' silence to mark 1996's Dunblane shootings. A version edited to include the sounds of the attacks on the Twin Towers was widely circulated online in late 2001. And the track rubbed shoulders with Candle In The Wind and I'll Be Missing You on the official Diana Memorial album. | It was, for example, the first song played by Radio 1 after the two minutes' silence to mark 1996's Dunblane shootings. A version edited to include the sounds of the attacks on the Twin Towers was widely circulated online in late 2001. And the track rubbed shoulders with Candle In The Wind and I'll Be Missing You on the official Diana Memorial album. |
| But the troubles that the song originally speaks to are more personal. | But the troubles that the song originally speaks to are more personal. |
| In the 1993 video, Stipe is portrayed among drivers stuck in an almighty Texas traffic jam, each with troubles on his or her mind, all of these conveyed in subtitles. We also see a teenager leaning out of a window, thinking: "They're going to miss me." | In the 1993 video, Stipe is portrayed among drivers stuck in an almighty Texas traffic jam, each with troubles on his or her mind, all of these conveyed in subtitles. We also see a teenager leaning out of a window, thinking: "They're going to miss me." |
| And suicide - especially among the young - is the personal problem with which Everybody Hurts is most often associated. | And suicide - especially among the young - is the personal problem with which Everybody Hurts is most often associated. |
| 'Don't throw your hand' | 'Don't throw your hand' |
| In 2001, the Nevada Assembly passed a resolution praising REM for "encouraging the prevention of teen suicides", specifically mentioning Everybody Hurts. | In 2001, the Nevada Assembly passed a resolution praising REM for "encouraging the prevention of teen suicides", specifically mentioning Everybody Hurts. |
| And in 1995, the Samaritans marked the first anniversary of the suicide of Kurt Cobain with adverts in music magazines which consisted of two verses of the song. | And in 1995, the Samaritans marked the first anniversary of the suicide of Kurt Cobain with adverts in music magazines which consisted of two verses of the song. |
| If you're consciously writing for someone who hasn't been to college, or is pretty young, it might be nice to be very direct. In that regard, it's tended to work for people of a lot of ages Peter Buck, REM guitarist Listen to Stipe and Buck discuss the song | If you're consciously writing for someone who hasn't been to college, or is pretty young, it might be nice to be very direct. In that regard, it's tended to work for people of a lot of ages Peter Buck, REM guitarist Listen to Stipe and Buck discuss the song |
| "We've tended to licence the song out for free to charity," guitarist Peter Buck told the BBC in 2005. In the same interview (see link on right), Stipe is characteristically evasive, but Buck is more forthcoming. | "We've tended to licence the song out for free to charity," guitarist Peter Buck told the BBC in 2005. In the same interview (see link on right), Stipe is characteristically evasive, but Buck is more forthcoming. |
| "I remember Michael saying something to the effect that he wanted younger people to not have to worry about metaphors," he said. "The only metaphor is in the bridge: 'throw your hand', which is a card-game metaphor." | "I remember Michael saying something to the effect that he wanted younger people to not have to worry about metaphors," he said. "The only metaphor is in the bridge: 'throw your hand', which is a card-game metaphor." |
| It's also, to many, a metaphor for taking one's life. Is it incongruous, then, to apply the lyric to the Haitians affected by the earthquake? | It's also, to many, a metaphor for taking one's life. Is it incongruous, then, to apply the lyric to the Haitians affected by the earthquake? |
| 'Things are tough but they get better' | 'Things are tough but they get better' |
| Not necessarily. Buck told Mojo magazine that "trying to reach a 17-year-old and say, 'it's okay - things are tough but they get better'" involved economy and directness - and that universality automatically means the song is picked up on by other people. | Not necessarily. Buck told Mojo magazine that "trying to reach a 17-year-old and say, 'it's okay - things are tough but they get better'" involved economy and directness - and that universality automatically means the song is picked up on by other people. |
| NOTABLE VERSIONS The Corrs (unplugged) Paul Anka (big band) Joe Cocker (soft rock) | NOTABLE VERSIONS The Corrs (unplugged) Paul Anka (big band) Joe Cocker (soft rock) |
| The simplicity of the music helps, too. Based around a beat from a drum machine that cost $20, the track revolves around a few familiar arpeggiated chords. | The simplicity of the music helps, too. Based around a beat from a drum machine that cost $20, the track revolves around a few familiar arpeggiated chords. |
| Even after the arrival of the strings, arranged by former Led Zeppelin bassist John Paul Jones, there's an intimacy that fits the lyric, and a vocal from Stipe that, in the words of rock critic Garry Mulholland, expresses "all the personal tragedies and troughs that he has travelled through". | Even after the arrival of the strings, arranged by former Led Zeppelin bassist John Paul Jones, there's an intimacy that fits the lyric, and a vocal from Stipe that, in the words of rock critic Garry Mulholland, expresses "all the personal tragedies and troughs that he has travelled through". |
| The charity-single template is, of course, very different to this, and Simon Cowell, the organiser of the new version, is not usually associated with musical restraint. However, the point of next week's single is not faithfulness to the REM original, it's something more commonly associated with Mr Cowell - that is money, in this case for Haiti. | The charity-single template is, of course, very different to this, and Simon Cowell, the organiser of the new version, is not usually associated with musical restraint. However, the point of next week's single is not faithfulness to the REM original, it's something more commonly associated with Mr Cowell - that is money, in this case for Haiti. |
| As for REM, Stipe says: "How could we not say yes to this appeal? We're honoured to play even a small role in trying to help." An earlier version included the line: "Everybody hurts, even the singer of the song." | As for REM, Stipe says: "How could we not say yes to this appeal? We're honoured to play even a small role in trying to help." An earlier version included the line: "Everybody hurts, even the singer of the song." |
| This echoes what Buck told the BBC in 2005: "The song belongs more to the people that it's aimed at than it does to the band any more." | This echoes what Buck told the BBC in 2005: "The song belongs more to the people that it's aimed at than it does to the band any more." |
| Smashed Hits is compiled by Alan Connor. | Smashed Hits is compiled by Alan Connor. |