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Tori Amos revisits her past on Gold Dust | Tori Amos revisits her past on Gold Dust |
(about 4 hours later) | |
By Tim Masters Entertainment and arts correspondent, BBC News | By Tim Masters Entertainment and arts correspondent, BBC News |
How risky is it for artists to revisit their best-known songs? Tori Amos is doing just that with Gold Dust, an album marking her 20th anniversary as a solo artist. | How risky is it for artists to revisit their best-known songs? Tori Amos is doing just that with Gold Dust, an album marking her 20th anniversary as a solo artist. |
Tori Amos burst onto the music scene in 1992, with a series of soul-baring songs that were unlike anything else at the time. | |
The album was Little Earthquakes, on which the piano-playing Amos sang about religion, sexuality and - on a capella track Me and a Gun - sexual assault. | The album was Little Earthquakes, on which the piano-playing Amos sang about religion, sexuality and - on a capella track Me and a Gun - sexual assault. |
To celebrate the two decades since that seismic arrival, the American singer-songwriter has recorded Gold Dust - an album of re-imagined songs played with a full orchestral backing. | To celebrate the two decades since that seismic arrival, the American singer-songwriter has recorded Gold Dust - an album of re-imagined songs played with a full orchestral backing. |
"I'd never played with an orchestra," says Amos. "Any strings that I've had on a record have been applied later." | "I'd never played with an orchestra," says Amos. "Any strings that I've had on a record have been applied later." |
But it was an invitation from the Metropole Orchestra in the Netherlands for Amos to play with them in 2010 that sparked the idea for Gold Dust. | But it was an invitation from the Metropole Orchestra in the Netherlands for Amos to play with them in 2010 that sparked the idea for Gold Dust. |
While not a greatest hits collection, the album includes a number of Amos's best-known songs - like Silent All These Years, Winter, Precious Things - alongside more recent tracks like Flavor and Star of Wonder. | While not a greatest hits collection, the album includes a number of Amos's best-known songs - like Silent All These Years, Winter, Precious Things - alongside more recent tracks like Flavor and Star of Wonder. |
Last year, Kate Bush - an artist to whom Amos was compared in her early years - did a similar thing on her album Director's Cut, re-recording and re-mixing tracks from her albums The Sensual World and The Red Shoes. | Last year, Kate Bush - an artist to whom Amos was compared in her early years - did a similar thing on her album Director's Cut, re-recording and re-mixing tracks from her albums The Sensual World and The Red Shoes. |
But is it ever a good idea for a songwriter to revisit past glories? | But is it ever a good idea for a songwriter to revisit past glories? |
"I think it's dangerous," admits Amos, "because if you get it wrong, people can feel as if you've lost the soul to the song." | "I think it's dangerous," admits Amos, "because if you get it wrong, people can feel as if you've lost the soul to the song." |
Amos, who speaks of her songs as female personalities, says some of them "wanted to dress up" while others shied away from a "complete makeover". | Amos, who speaks of her songs as female personalities, says some of them "wanted to dress up" while others shied away from a "complete makeover". |
"The exercise wasn't to see how shocking I could make these rearrangements. The goal was how to bring together 20 years of songs - not necessarily the ones that people know the most." | "The exercise wasn't to see how shocking I could make these rearrangements. The goal was how to bring together 20 years of songs - not necessarily the ones that people know the most." |
One song that didn't make make the final cut was Cornflake Girl, from 1994's Under the Pink. | One song that didn't make make the final cut was Cornflake Girl, from 1994's Under the Pink. |
"Cornflake Girl might have entertained a big band, but not an orchestra," admits Amos. "She's not designed and built to do that. Certain songs really lent themselves because of their sonic architecture." | "Cornflake Girl might have entertained a big band, but not an orchestra," admits Amos. "She's not designed and built to do that. Certain songs really lent themselves because of their sonic architecture." |
In a return to her classical roots, Amos's last album was 2011's Night of Hunters, a song cycle based on classic music themes for the German label Deutsche Grammophon. | In a return to her classical roots, Amos's last album was 2011's Night of Hunters, a song cycle based on classic music themes for the German label Deutsche Grammophon. |
Asked how she views her current relationship with classical music, Amos says: "My attitude with classical music hasn't been the problem. | Asked how she views her current relationship with classical music, Amos says: "My attitude with classical music hasn't been the problem. |
"It's been my attitude with the professors and teachers I think are completely out of touch with the emotion and spirit of the whole thing." | "It's been my attitude with the professors and teachers I think are completely out of touch with the emotion and spirit of the whole thing." |
She adds: "It's taken me a few years, and Deutsche Grammophon had to come knocking, before I opened up to it again." | She adds: "It's taken me a few years, and Deutsche Grammophon had to come knocking, before I opened up to it again." |
Composers like Wagner were the "rock stars" of their day, says Amos. "They were really pushing the bar - they weren't stuck in a rut." | Composers like Wagner were the "rock stars" of their day, says Amos. "They were really pushing the bar - they weren't stuck in a rut." |
'Very blessed' | 'Very blessed' |
The daughter of a Methodist minister, Tori Amos was born in North Carolina and grew up Maryland where she began composing songs on the piano by the age of five. | The daughter of a Methodist minister, Tori Amos was born in North Carolina and grew up Maryland where she began composing songs on the piano by the age of five. |
She won a scholarship to the prestigious Peabody Conservatory of Music, but left aged 11 and began playing in bars as a teenager, chaperoned by her father. She later moved to Los Angeles where she formed rock band Y Kant Tori Read. | She won a scholarship to the prestigious Peabody Conservatory of Music, but left aged 11 and began playing in bars as a teenager, chaperoned by her father. She later moved to Los Angeles where she formed rock band Y Kant Tori Read. |
But the band's 1988 debut album flopped and Amos sought a new career as a solo artist. Her record company sent her to London in the early 1990s where she put the finishing touches to the songs that would make up Little Earthquakes. | But the band's 1988 debut album flopped and Amos sought a new career as a solo artist. Her record company sent her to London in the early 1990s where she put the finishing touches to the songs that would make up Little Earthquakes. |
Amos doubts whether Little Earthquakes would have got off the ground in 2012 due to its "challenging subject matter". | Amos doubts whether Little Earthquakes would have got off the ground in 2012 due to its "challenging subject matter". |
"Now things are a bit safer, as far as what the majors will sign, because there's a lot less money around." | "Now things are a bit safer, as far as what the majors will sign, because there's a lot less money around." |
Even in the early 1990s, she recalls, there was little commercial interest in "a woman at her piano singing songs about emotions and some dark stuff". | Even in the early 1990s, she recalls, there was little commercial interest in "a woman at her piano singing songs about emotions and some dark stuff". |
"It wasn't commercial, it never has been and it still isn't, but people have opened to it, and I've been very blessed. | "It wasn't commercial, it never has been and it still isn't, but people have opened to it, and I've been very blessed. |
"Radio at the time would say, 'Girl and a piano? No. Synthesizers - fine, but a piano - no way.'" | "Radio at the time would say, 'Girl and a piano? No. Synthesizers - fine, but a piano - no way.'" |
Gold Dust is released on 1 October. The Gold Dust Orchestral Tour takes place throughout October. | Gold Dust is released on 1 October. The Gold Dust Orchestral Tour takes place throughout October. |
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