This article is from the source 'guardian' and was first published or seen on . It last changed over 40 days ago and won't be checked again for changes.

You can find the current article at its original source at http://www.guardian.co.uk/artanddesign/2013/apr/28/neon-signs-cold-war-poland

The article has changed 2 times. There is an RSS feed of changes available.

Version 0 Version 1
The neon signs shining a light on cold-war Poland The neon signs shining a light on cold-war Poland
(5 months later)
I once had a Polish friend who turned down my offer of a limited-edition, orange-flavoured Kit Kat on the grounds that it was "far too communist".I once had a Polish friend who turned down my offer of a limited-edition, orange-flavoured Kit Kat on the grounds that it was "far too communist".
Pressed further, he explained that the only (cheap, low-quality) chocolate available to him as a child had its taste masked by orange flavouring. Hence his concept of western decadence – all that was denied him as a child – was of a magical place where chocolate always tasted of chocolate.Pressed further, he explained that the only (cheap, low-quality) chocolate available to him as a child had its taste masked by orange flavouring. Hence his concept of western decadence – all that was denied him as a child – was of a magical place where chocolate always tasted of chocolate.
He would no doubt have something equally disparaging to say about these extraordinary images by the fine art photographer and author Ilona Karwinska. A mixture of her own pictures and archival photographs, they capture another attempt by Poland's communist regime to prove that anything the west could do, they could do better.He would no doubt have something equally disparaging to say about these extraordinary images by the fine art photographer and author Ilona Karwinska. A mixture of her own pictures and archival photographs, they capture another attempt by Poland's communist regime to prove that anything the west could do, they could do better.
The neon lights that adorn everything from shopfronts to theatres and cinemas date from the 1950s, when Poland was at an economic standstill and the propaganda of the cold war was at its height. While the motivation behind these incredible designs may have been little more than a cynical attempt to boost the economy by aping the consumerism of western Europe, there is no denying the sheer quality of the work. This unique archive provides a rare window into a moment lost in time, and represents a typographer's dream.The neon lights that adorn everything from shopfronts to theatres and cinemas date from the 1950s, when Poland was at an economic standstill and the propaganda of the cold war was at its height. While the motivation behind these incredible designs may have been little more than a cynical attempt to boost the economy by aping the consumerism of western Europe, there is no denying the sheer quality of the work. This unique archive provides a rare window into a moment lost in time, and represents a typographer's dream.
David Crowley of the Royal College of Art raves about how the collection preserves "a unique and significant moment in Poland's history" – one where necessity truly proved the mother of invention. Not that my Polish friend would agree.David Crowley of the Royal College of Art raves about how the collection preserves "a unique and significant moment in Poland's history" – one where necessity truly proved the mother of invention. Not that my Polish friend would agree.
Our editors' picks for the day's top news and commentary delivered to your inbox each morning.