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Vince Gilligan meets the world's worst Breaking Bad pirates Vince Gilligan meets the world's worst Breaking Bad pirates
(4 months later)
On paper, Vince Gilligan sounds On paper, Vince Gilligan sounds like one sick bastard. Even in an age of ultra-violent TV shows, the creator of Breaking Bad still stands out for his ability to conjure up some of the most gruesome scenes seen on screen: a bathtub full of corroded human guts; an ATM crushing a man’s skull; a throat slashed with a box-cutter; and a merry sequence where someone’s face is so thoroughly blown up we can see the charred remains of his brain.
like one sick bastard. Even in an age of ultra-violent TV shows, the creator of Even more diabolical is how Gilligan managed to rope millions of people into watching the story of an ordinary man – Walter White, high school chemistry teacher turned meth kingpin – die a slow death, both physically and morally, over five seasons. It’d almost be sadistic if not for the fact that Breaking Bad is so goddamn good. This isn’t even personal opinion any more. Ten Emmys and a Guinness World Record – for the most positively-reviewed TV show in history – speak for themselves.
Breaking Bad still stands out for his When I meet Vince Gilligan at Sydney Town Hall before interviewing him onstage, he comes across as a charming Southern gent: six feet tall, broad-shouldered, schmick in a grey suit and all charm and manners. This is Gilligan’s first visit to Australia, and by the end of tonight, he'll have addressed 3,000 people in two consecutive sold-out events for the Sydney Writers' Festival. They’re a surprisingly diverse lot. Outside Town Hall, fanboy Gen Y die-hards stand shoulder-to-shoulder with senior citizens who wouldn’t look out of place lining up for church, rather than listening to a man discuss murder and methamphetamines.
ability to conjure up some of the most gruesome scenes seen on screen: a Gilligan is surprised by the mix. After all, he says, the concept of Breaking Bad isn’t exactly a crowd-pleasing sell. Years ago, when Gilligan first started pitching the program, the CEO of Sony America told him it was the single worst idea for a television show he’d heard in his whole life. “To start with, [it’s a show about] a 50-year-old guy,” Gilligan says later. “A 50-year-old anybody is strike one in a lot of TV executives’ minds. Strike two: dying of cancer! Strike three: meth! And you’re out.”
bathtub full of corroded human guts; an ATM crushing a man’s skull; a throat As festival director Jemma Birrell introduces Gilligan on stage, she mentions Australia has a special relationship with Breaking Bad. Though the show’s finale attracted over 10 million viewers in the US alone, over 500,000 people illegally downloaded the episode soon after. Australia accounted for 18% of those downloads, officially making us the world’s worst pirates of Breaking Bad.Town Hall’s audience gasps, appalled, before laughing and breaking out into self-congratulatory applause. Backstage, I shoot Gilligan an apologetic, sheepish grin on behalf of my country. Gilligan smiles and shrugs, as if to say, “Eh, what are you going to do?”
slashed with a box-cutter; and a merry sequence where someone’s face is so On stage, we survey the audience, asking how many people watched Breaking Bad on pay TV. Several hands go up. “And how many of you streamed or downloaded it,” I ask, as hands shoot up, “by legal means?” Hands quickly go down. Gilligan chuckles. Is it flattering to have a show in such demand or are we just a nation of thieves? “Well … no, you’re nice people,” he says carefully. “What can be said? You hope to get paid for your work. On the other hand, I truly am flattered people want to watch it, no matter how they get it.” Part of the responsibility, he adds diplomatically, is also on distributors. Film studios have to counter illegal downloads with simultaneous releases across territories and platforms, so “it behooves the television industry how to figure out how to do that as well”.
thoroughly blown up we can see the charred remains of his brain. Last year, the US Writers Guild of America ranked Breaking Bad asthe 13th best-written TV series of all time, but Gilligan admits some episodes drove the writers utterly insane. When trying to resolve some of the series’ trickier plot points – what Walt was going to do with a machine gun planted in season five’s flash-forward; how Walt and Jesse were supposed to escape an RV with Walt’s DEA agent brother-in-law outside – Gilligan would get up to literally bang his head against the wall. “It’s something I later discovered distressed one of my female co-writers,” he says. A problem that would take a Breaking Bad character minutes to unlock often took a team of writers the best part of a week to work out.
Even more For a long time, being so occupied with creating the show meant Gilligan was also oblivious to the how some viewers responded to Breaking Bad online. Widespread hatred of Skyler White – played by Anna Gunn – particularly caught cast and crew off guard. For Gilligan’s benefit, I bring up some of the tamer Skyler White internet memes circulating – the few that aren’t outright misogynistic – and read them out loud. Horrified, Gilligan blinks, then laughs. “Those are … really funny,” he says. “But in the writers room, we were always very sympathetic to Skyler. She made a lot of mistakes, but not one millionth the number Walt did.” Still, what was the reasoning behind making Skyler give what surely must be the worst hand-job ever portrayed on TV? Where did that come from? For a moment, Gilligan is flummoxed. “Well,” he says, blushing. “From being married for 22 years, I guess.” The crowd roars laughing.
diabolical is how Gilligan managed to rope millions of people into watching the After Gilligan gets a standing ovation, people rush to the stage, even though they’ve been told he won’t be autographing anything tonight. One woman pleads as Gilligan starts to head backstage: “Vince, pleeeaase.” Gilligan looks at her sympathetically. “Ah, I’m a softie,” he says, taking a step towards her. Dozens more people rush towards him, asking him to sign Breaking Bad mugs, event tickets and even scraps of paper. He signs every single thing handed to him. Although he’s been up for hours, Gilligan is then ushered to a small room at the back of the town hall, where he does a meet and greet with senior members of the Australian Writers Guild. Some of the most towering figures in local film and TV are in this room, but even they are in awe of the Gilligan, and stand around him like respectful high school students getting a visit from a famous politician.
story of an ordinary man – Walter White, high school chemistry teacher turned As Vince speaks to the writers’ guild, his name spikes in Twitter Australia’s trending topics. In several hours from now, several garbage trucks in Sydney will start their shifts, emblazoned with a quote fromBreaking Bad as part of a promotional stunt for the Sydney Writers' Festival. The quote is one of Walter White’s most memorable lines – “I am not in danger, Skyler; I am the danger” – in effect, creating the most sinister-looking garbage trucks ever to service Sydney’s suburbs.
meth kingpin – die a slow death, both physically and morally, over five Despite the fever around his Australian visit, Gilligan insists he’s just an ordinary dude. “Part of what intrigued me about Walter White is he started off very much like me. He was very a plain, vanilla middle-aged guy, who was kind of boring. You’d walk past him in the street and not look twice. So I’m very much like Walter White,” he says, then pauses. “Prior to him cooking meth.” There’s also the shared moustache, of course. And let’s not forget that both men – the antihero for the 21st century, and the man who created him – make the purest and most addictive products around.
seasons. It’d almost be sadistic if not for the fact that Breaking Bad is so goddamn good. This isn’t even personal opinion
any more. Ten Emmys and a Guinness World Record – for the most
positively-reviewed TV show in history – speak for themselves.
When I meet Vince Gilligan
at Sydney Town Hall before interviewing him onstage, he comes across as a charming Southern gent: six
feet tall, broad-shouldered, schmick in a grey suit and all charm and manners.
This is Gilligan’s first visit to Australia, and by the end of tonight, he'll have addressed 3,000 people in two consecutive sold-out events for the
Sydney Writers' Festival. They’re a surprisingly diverse lot. Outside Town Hall, fanboy Gen Y die-hards
stand shoulder-to-shoulder with senior citizens who wouldn’t look out of place
lining up for church, rather than listening to a man discuss murder and
methamphetamines.
Gilligan is surprised by the
mix. After all, he says, the concept of Breaking Bad isn’t exactly a
crowd-pleasing sell. Years ago, when Gilligan first started pitching the
program, the CEO of Sony America told him it was the single worst idea for a
television show he’d heard in his whole life. “To start with, [it’s a show
about] a 50-year-old guy,” Gilligan says later. “A 50-year-old anybody is strike one in a lot of TV
executives’ minds. Strike two: dying of cancer! Strike three: meth! And you’re
out.”
As festival director Jemma
Birrell introduces Gilligan on stage, she mentions Australia has a special
relationship with Breaking Bad. Though
the show’s finale attracted over 10 million viewers in the US alone, over
500,000 people illegally downloaded the episode soon after. Australia accounted
for 18% of those downloads, officially making us the world’s worst
pirates of Breaking Bad. Town Hall’s audience gasps, appalled, before laughing and breaking out into self-congratulatory applause.
Backstage, I shoot Gilligan an apologetic, sheepish grin on behalf of my
country. Gilligan smiles and shrugs, as if to say, “Eh, what are you going to
do?”
On stage, we survey the
audience, asking how many people watched Breaking Bad on pay TV. Several hands go up. “And how many of you streamed or
downloaded it,” I ask, as hands shoot up, “by legal means?” Hands quickly go
down. Gilligan chuckles. Is it flattering to have a show in such demand or are
we just a nation of thieves? “Well … no, you’re nice people,” he says
carefully. “What can be said? You hope to get paid for your work. On the other
hand, I truly am flattered people want to watch it, no matter how they get it.”
Part of the responsibility, he adds diplomatically, is also on distributors. Film
studios have to counter illegal downloads with simultaneous releases across
territories and platforms, so “it behooves the television industry how to
figure out how to do that as well”.
Last year, the US Writers Guild
of America ranked Breaking Bad as the
13th
best-written TV series of all time, but Gilligan admits some episodes drove the
writers utterly insane. When trying to resolve some of the series’ trickier
plot points – what Walt was going to do with a machine gun planted in season five’s flash-forward; how Walt and Jesse were supposed to escape an RV with Walt’s
DEA agent brother-in-law outside – Gilligan would get up to literally bang his
head against the wall. “It’s something I later discovered distressed one of my
female co-writers,” he says. A problem that would take a Breaking Bad character minutes to unlock often took a team of
writers the best part of a week to work out.
For a long time, being so
occupied with creating the show meant Gilligan was also oblivious to the how
some viewers responded to Breaking Bad
online. Widespread hatred of Skyler White – played by Anna Gunn – particularly
caught cast and crew off guard. For Gilligan’s benefit, I bring up some of the
tamer Skyler White internet memes circulating – the few that aren’t outright misogynistic
– and read them out loud. Horrified,
Gilligan blinks, then laughs. “Those are … really funny,” he says. “But in the
writers room, we were always very sympathetic to Skyler. She made a lot of
mistakes, but not one millionth the number Walt did.” Still, what
was the reasoning behind making Skyler give what surely must be the worst
hand-job ever portrayed on TV? Where did that come from? For a moment, Gilligan
is flummoxed. “Well,” he says, blushing. “From being married for 22 years, I
guess.” The crowd roars laughing.
After Gilligan gets a standing
ovation, people rush to the stage, even though they’ve been told he won’t be
autographing anything tonight. One woman pleads as Gilligan
starts to head backstage: “Vince, pleeeaase.” Gilligan looks at her
sympathetically. “Ah, I’m a softie,” he says, taking a step towards her. Dozens
more people rush towards him, asking him to sign Breaking Bad mugs, event tickets and even scraps of paper. He signs
every single thing handed to him. Although he’s been up for hours, Gilligan is
then ushered to a small room at the back of the town hall, where he does a meet and
greet with senior members of the Australian Writers Guild. Some of the most towering figures in local film and TV
are in this room, but even they are in awe of the Gilligan, and stand around
him like respectful high school students getting a visit from a famous
politician.
As Vince speaks to the writers’
guild, his name spikes in Twitter Australia’s trending topics. In several hours
from now, several garbage trucks in Sydney will start their shifts, emblazoned
with a quote from Breaking Bad as
part of a promotional stunt for the Sydney Writers' Festival. The quote is one
of Walter White’s most memorable lines – “I am not in danger, Skyler; I am the danger” – in effect, creating
the most sinister-looking garbage trucks ever to service Sydney’s suburbs.
Despite the fever around his Australian visit, Gilligan insists he’s just an
ordinary dude. “Part of what intrigued me about Walter White is he started off
very much like me. He was very a plain, vanilla middle-aged guy, who was kind
of boring. You’d walk past him in the street and not look twice. So I’m very
much like Walter White,” he says, then pauses. “Prior to him cooking meth.”
There’s also the shared moustache, of course. And let’s not forget that both
men – the antihero for the 21st century, and the man who created him – make the purest and most addictive products around.