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| Malik Bendjelloul, 36, Dies; Directed ‘Sugar Man’ Movie | Malik Bendjelloul, 36, Dies; Directed ‘Sugar Man’ Movie |
| (about 4 hours later) | |
| Malik Bendjelloul, a Swedish filmmaker who won the 2013 Academy Award for best documentary with his debut feature, “Searching for Sugar Man,” about a forgotten American balladeer who, unwittingly, had achieved fame halfway around the world, was found dead on Tuesday in Stockholm. He was 36. | Malik Bendjelloul, a Swedish filmmaker who won the 2013 Academy Award for best documentary with his debut feature, “Searching for Sugar Man,” about a forgotten American balladeer who, unwittingly, had achieved fame halfway around the world, was found dead on Tuesday in Stockholm. He was 36. |
| The police there confirmed the death without stating a cause. | The police there confirmed the death without stating a cause. |
| A largely inexperienced filmmaker when he started the project, Mr. Bendjelloul edited “Searching for Sugar Man” in his Stockholm apartment and paid for most of it himself. | A largely inexperienced filmmaker when he started the project, Mr. Bendjelloul edited “Searching for Sugar Man” in his Stockholm apartment and paid for most of it himself. |
| The film tells the story of Sixto Rodriguez, a singer, songwriter and guitarist from Detroit who recorded two blues-tinged folk-rock albums under the single name Rodriguez in the early 1970s and then vanished from the music scene, a casualty of poor publicity and meager sales. | The film tells the story of Sixto Rodriguez, a singer, songwriter and guitarist from Detroit who recorded two blues-tinged folk-rock albums under the single name Rodriguez in the early 1970s and then vanished from the music scene, a casualty of poor publicity and meager sales. |
| For decades he supported himself and three daughters doing manual labor, unaware that his music — songs of protest and hardscrabble life rendered in a heartfelt tenor — had resonated in South Africa, where opponents of apartheid especially admired his anthems of struggle. | For decades he supported himself and three daughters doing manual labor, unaware that his music — songs of protest and hardscrabble life rendered in a heartfelt tenor — had resonated in South Africa, where opponents of apartheid especially admired his anthems of struggle. |
| The film takes its title from “Sugar Man,” a song about a drug dealer that appeared on Rodriguez’s 1970 album, “Cold Fact.” | The film takes its title from “Sugar Man,” a song about a drug dealer that appeared on Rodriguez’s 1970 album, “Cold Fact.” |
| The film unearths Rodriguez’s tale in the manner of a detective story, telling of the search for information about the singer that had been started by an ardent fan, Stephen Segerman, a Cape Town record store owner. | The film unearths Rodriguez’s tale in the manner of a detective story, telling of the search for information about the singer that had been started by an ardent fan, Stephen Segerman, a Cape Town record store owner. |
| Reviewing the film in The New York Times, Manohla Dargis called it “a hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing.” | Reviewing the film in The New York Times, Manohla Dargis called it “a hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing.” |
| Mr. Bendjelloul was born in Ystad, Sweden, on Sept. 14, 1977, and grew up in Angelholm. | |
| Published sources say that his father, Hacène Bendjelloul, was an Algerian doctor and that his mother, the former Veronica Schildt, was a translator and a painter. Information about survivors was not available. | Published sources say that his father, Hacène Bendjelloul, was an Algerian doctor and that his mother, the former Veronica Schildt, was a translator and a painter. Information about survivors was not available. |
| As a youth in the early 1990s, Malik appeared in a recurring role in the Swedish television series “Ebba and Didrik,” about siblings in a seaside village. (The director was his uncle.) | As a youth in the early 1990s, Malik appeared in a recurring role in the Swedish television series “Ebba and Didrik,” about siblings in a seaside village. (The director was his uncle.) |
| He studied journalism at the University of Kalmar (now Linnaeus University), and went on to make short documentary features for Swedish television featuring interviews with musicians like Björk and Elton John. | He studied journalism at the University of Kalmar (now Linnaeus University), and went on to make short documentary features for Swedish television featuring interviews with musicians like Björk and Elton John. |
| Restless, in 2006, he quit his job and traveled to Africa in search of a story for a movie of his own. In Cape Town he met Mr. Segerman, who in 1997 had created a website, The Great Rodriguez Hunt, hoping to gather information about the singer. | Restless, in 2006, he quit his job and traveled to Africa in search of a story for a movie of his own. In Cape Town he met Mr. Segerman, who in 1997 had created a website, The Great Rodriguez Hunt, hoping to gather information about the singer. |
| Ultimately, Mr. Bendjelloul was able to interview Mr. Rodriguez and tell the tale of the search in the film. | Ultimately, Mr. Bendjelloul was able to interview Mr. Rodriguez and tell the tale of the search in the film. |
| “This was the greatest, the most amazing, true story I’d ever heard, an almost archetypal fairy tale,” he said in a 2012 interview with The Times. “It’s a perfect story. It has the human element, the music aspect, a resurrection and a detective story.” | “This was the greatest, the most amazing, true story I’d ever heard, an almost archetypal fairy tale,” he said in a 2012 interview with The Times. “It’s a perfect story. It has the human element, the music aspect, a resurrection and a detective story.” |