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ENO artistic director John Berry to step down | ENO artistic director John Berry to step down |
(35 minutes later) | |
John Berry, artistic director of the English National Opera (ENO), is to leave the company after 20 years. | John Berry, artistic director of the English National Opera (ENO), is to leave the company after 20 years. |
In a statement, he said his work was "now done" and that it "feels right to leave". | In a statement, he said his work was "now done" and that it "feels right to leave". |
He said he was looking forward "to remaining involved with ENO... as an audience member and supporter." | He said he was looking forward "to remaining involved with ENO... as an audience member and supporter." |
Berry's departure follows a turbulent period for the company, during which it was placed "under special funding arrangements" by the Arts Council. | |
The ENO's acting chairman, Harry Brunjes, said his contribution had been "phenomenal" and that the company had been "fortunate to have John's insight and capability". | |
"He has helped build ENO a UK-wide and international reputation for excellent dramatic opera... [and] driven the use of international collaborations." | "He has helped build ENO a UK-wide and international reputation for excellent dramatic opera... [and] driven the use of international collaborations." |
Berry, who was made a CBE last year, joined the ENO in 1995 as casting director before taking the position of director of opera planning. | |
He became the company's artistic director in 2005 and has presided over eight seasons of productions at its London Coliseum base. | He became the company's artistic director in 2005 and has presided over eight seasons of productions at its London Coliseum base. |
Its most recent season has seen a production of Sweeney Todd starring Bryn Terfel and Emma Thompson and a Mike Leigh-directed revival of The Pirates of Penzance. | Its most recent season has seen a production of Sweeney Todd starring Bryn Terfel and Emma Thompson and a Mike Leigh-directed revival of The Pirates of Penzance. |
Berry said it felt "right to leave at the end of a hugely successful season both from an artistic perspective and in terms of audience numbers". | Berry said it felt "right to leave at the end of a hugely successful season both from an artistic perspective and in terms of audience numbers". |
Yet his final season followed a period of unrest, during which it was revealed that the company's outgoing chairman, Martyn Rose, had called for Berry to step down. | |
"For the very survival of the ENO, Berry must leave, preferably soon," Mr Rose wrote in a letter made public in January by the Sunday Times. | |
Mr Rose's departure was quickly followed by the resignation of Henriette Gotz, ENO's executive director. | |
'Rigorous milestones' | |
Not long afterwards, the ENO was told by Arts Council England to improve its business model or face funding cuts. | |
The council said it would review the ENO's finances over the next two years and "set rigorous milestones" for progress. | The council said it would review the ENO's finances over the next two years and "set rigorous milestones" for progress. |
In a statement released on Friday, Darren Henley, chief executive of Arts Council England, said Berry had "demonstrated a strong commitment to keeping opera at the cutting edge" during his tenure. | |
He said the council wished Berry "all the best for the future" and that it would "continue to work closely with ENO as they develop their business model." | He said the council wished Berry "all the best for the future" and that it would "continue to work closely with ENO as they develop their business model." |
Originally named the Sadler's Wells Opera Company, the ENO adopted its current name in 1974, six years after making the London Coliseum its home. | |
The company describes its mission as one of "creating new audiences for opera through English language performances which are affordable and accessible to everyone". |