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We don’t need the union jack on Team GB’s kit – it’s ugly and divisive We don’t need the union jack on Team GB’s kit – it’s ugly and divisive
(3 days later)
The trouble with the United Kingdom’s flag, when you come to think about it, is that it is really quite ugly. I have every sympathy for the designers who removed it from the British athletics team’s vests for the imminent World Athletics Championships in Beijing. Olympic long jump champion Greg Rutherford has complained that “it isn’t a British kit any more” because it hasn’t got the union flag, but the decision makes sense aesthetically. The new vest is an elegant flowing dance of red, white and blue – the flag’s colours, remember – and has Great Britain written on it in big letters. It just doesn’t have that jagged, explosive, aggressive flag.The trouble with the United Kingdom’s flag, when you come to think about it, is that it is really quite ugly. I have every sympathy for the designers who removed it from the British athletics team’s vests for the imminent World Athletics Championships in Beijing. Olympic long jump champion Greg Rutherford has complained that “it isn’t a British kit any more” because it hasn’t got the union flag, but the decision makes sense aesthetically. The new vest is an elegant flowing dance of red, white and blue – the flag’s colours, remember – and has Great Britain written on it in big letters. It just doesn’t have that jagged, explosive, aggressive flag.
Well this isn't right... Where's the Union Jack!?!? @BritAthletics (this is the kit for worlds) pic.twitter.com/RAVoi6yRexWell this isn't right... Where's the Union Jack!?!? @BritAthletics (this is the kit for worlds) pic.twitter.com/RAVoi6yRex
I don’t mean the union flag is aggressive because it embodies an imperial arrogance or a coercive union that keeps Scotland in its place. No, it just looks as if it does.I don’t mean the union flag is aggressive because it embodies an imperial arrogance or a coercive union that keeps Scotland in its place. No, it just looks as if it does.
Look at it, if you can bear to. With its cluttered burst of both right-angled and diagonal radiating lines, the British flag is heavy and overbearing, forceful and strident. On a battlefield it would make sense. Sure, this virulent standard served to rally regiments at the Battle of Waterloo. But today? At sporting events? It looks crap. Instead of suggesting unity, its sharp-angled divisions imply fragmentation. In fact, the relentless dynamism of its design evokes the shock and shatter of a cannon ball smashing into a French ship at the Battle of Trafalgar.Look at it, if you can bear to. With its cluttered burst of both right-angled and diagonal radiating lines, the British flag is heavy and overbearing, forceful and strident. On a battlefield it would make sense. Sure, this virulent standard served to rally regiments at the Battle of Waterloo. But today? At sporting events? It looks crap. Instead of suggesting unity, its sharp-angled divisions imply fragmentation. In fact, the relentless dynamism of its design evokes the shock and shatter of a cannon ball smashing into a French ship at the Battle of Trafalgar.
This was fine when Britain ruled the waves but its military hysteria makes no sense nowadays. To see how visually repellent the union flag really is you just have to contrast it with a truly great national flag, that of the United States. The American flag is beautiful, as the artist Jasper Johns saw very clearly when he made one out of collage and waxy paint. The stars and bars are soothing and reassuring to look at. Those layers of repeated lines have a quality of minimalist art, although they date from long before such art was invented. Perhaps America’s flag has had a hidden influence on all its art movements, not only on Johns. The bars hang there in harmony and peace, and the stars float majestically in their blue ether. This design manages to be both strong and soft. The same goes for the French tricolour, another of the world’s most attractive flags. Its simple rectangles of colour are bold but beautiful. No wonder it has been imitated by so many other nations in varying colours.This was fine when Britain ruled the waves but its military hysteria makes no sense nowadays. To see how visually repellent the union flag really is you just have to contrast it with a truly great national flag, that of the United States. The American flag is beautiful, as the artist Jasper Johns saw very clearly when he made one out of collage and waxy paint. The stars and bars are soothing and reassuring to look at. Those layers of repeated lines have a quality of minimalist art, although they date from long before such art was invented. Perhaps America’s flag has had a hidden influence on all its art movements, not only on Johns. The bars hang there in harmony and peace, and the stars float majestically in their blue ether. This design manages to be both strong and soft. The same goes for the French tricolour, another of the world’s most attractive flags. Its simple rectangles of colour are bold but beautiful. No wonder it has been imitated by so many other nations in varying colours.
You don’t see many other countries imitating the British flag.You don’t see many other countries imitating the British flag.
Related: Design a Team GB athletics kit that isn't 'ridiculous' (with or without a union flag)Related: Design a Team GB athletics kit that isn't 'ridiculous' (with or without a union flag)
The flags of the United States and France are the results of 18th-century revolutions that gave their creators a sense of starting afresh. No ghosts of the past or compromised histories influenced the design of these revolutionary standards. On the contrary, they needed to be totally new, to symbolise new constitutions, new beginnings. The British flag is a bit older – an early version of the design appeared by 1606, when James IV of Scotland also became James I of England. After the Act of Union in 1707 British flags started being waved all over the place – indeed, to the ends of the colonised earth. In William Hogarth’s painting The March of the Guards to Finchley, redcoated soldiers carry it as they prepare to defend London from the ravages of Bonnie Prince Charlie and his rebel Scots army. The flags of the United States and France are the results of 18th-century revolutions that gave their creators a sense of starting afresh. No ghosts of the past or compromised histories influenced the design of these revolutionary standards. On the contrary, they needed to be totally new, to symbolise new constitutions, new beginnings. The British flag is a bit older – an early version of the design appeared by 1606, after James VI of Scotland also became James I of England. After the Act of Union in 1707 British flags started being waved all over the place – indeed, to the ends of the colonised earth. In William Hogarth’s painting The March of the Guards to Finchley, redcoated soldiers carry it as they prepare to defend London from the ravages of Bonnie Prince Charlie and his rebel Scots army.
The union flag is then, in its very origin, a compromise, a merging of different national symbols, the English red cross of St George with the Scottish saltire. Today the English prefer their medieval red cross and Scots prefer their saltire. The Welsh have a dragon.The union flag is then, in its very origin, a compromise, a merging of different national symbols, the English red cross of St George with the Scottish saltire. Today the English prefer their medieval red cross and Scots prefer their saltire. The Welsh have a dragon.
Perhaps Rutherford’s objection to the British flag’s disappearance from the national British athletics team’s kit reflects an anxiety about insidious anti-union propaganda, as if in the age of SNP triumph it is becoming politically incorrect to sport unifying British symbols too proudly. But I would argue it the other way around. Perhaps the union flag itself is a psychological boost to nationalists who want to break up Britain. Its sheer pompous ugliness unconsciously damages the image of the union.Perhaps Rutherford’s objection to the British flag’s disappearance from the national British athletics team’s kit reflects an anxiety about insidious anti-union propaganda, as if in the age of SNP triumph it is becoming politically incorrect to sport unifying British symbols too proudly. But I would argue it the other way around. Perhaps the union flag itself is a psychological boost to nationalists who want to break up Britain. Its sheer pompous ugliness unconsciously damages the image of the union.
So here is an idea to save the United Kingdom as a political, emotional and cultural entity. Let’s invent a new flag. Let’s visually forget the history of internal compromise and external violence this flag so unattractively embodies. A new flag for a new Britain might help us love our – whole – nation again.So here is an idea to save the United Kingdom as a political, emotional and cultural entity. Let’s invent a new flag. Let’s visually forget the history of internal compromise and external violence this flag so unattractively embodies. A new flag for a new Britain might help us love our – whole – nation again.
• This article was amended on 17 August 2015. An earlier version referred to James IV of Scotland becoming James I of England.